Okay, sorry for the major delays in updates both in the site proper and this blog. I’m going to try something here. In 2008, I’ve been focusing a lot on my photography, and doing a lot of live music photography in particular. I’ve started a photography blog, and will be cross-posting concert reviews, with photography notes, at that blog and this one. So at this blog I’ll continue posting my usual ramblings, as well as concert reviews, but the concert reviews will now include more photographs and a few paragraphs of photo-geek stuff that you can safely skip over if you’re just in it for the music. We’ll see how this works. Not that the photos will usually look better at the photography blog thanks to the black background there. Anyway, here’s my first shot at it — a review of a great show I saw last night, Earth and Kayo Dot. Sunday night metal.
“Metal” is stretching it a bit, but both of the touring bands I saw last night at Rock & Roll Hotel, Earth and Kayo Dot, have their roots in it - the former in their classic drone-metal albums of the early 90s, the latter in their evolution out of avant/prog-metal group Maudlin of the Well. Still, this was about as different from Saturday’s prog-metal (when I saw Symphony X and Epica, review to come) as it could get. Earth plays glacially slow, crushingly loud instrumental music that, were it not for the volume and subtle drone tendencies, could almost be called doomy country & western. Kayo Dot is pretty much uncategorizable, straddling some invisible line between rock and rigorously composed modern classical music. The opener, Stymphalian Birds, was a solo noise/drone act that was surprisingly quite excellent. Needless to say, there was no symphonic metal bombast going on here, no drunken screaming fans, no call-and-response fist-pumping.
Earth was who I’d come for and they did not disappoint. The touring version of this band is a four-piece of guitar, bass, drums, and keys/trombone (trombone very sparingly used on one song only). They played almost exclusively stuff from the new album, The Bees Made Honey in the Lion’s Skull, which was fine by me as I think the album is pretty excellent. Live, their music sounded pretty much identical to the album versions, with one key difference: sheer volume. This stuff, when heard at bone-rattling loudness levels, becomes even more doomy and impactful than on record. Yet it still retains its beauty, with slow, repetitive melodies shining through wonderfully. It was also impressive to watch these guys play so damn slowly - drummer Adrienne Davies (pictured below) especially. I’m sure it takes massive concentration to play these songs, where sometimes there was a full second or even more between individual beats, and they pulled it off easily.
I’ve never been a huge fan of Kayo Dot (sorry Aaron). I always get the feeling that much of their material is going straight over my head - lots of abstractness and subtlety when I am longing for more intensity. Live, they held my attention better than on record, and it was fun to see just how intricately composed some of the pieces are, with all the musicians either reading from their charts or watching bandleader Toby Driver (below) intently for cues. The majority of the set was very quiet and slow-moving, with a few heavier parts intermingled; calling this band “metal” at this point would be a total misnomer. The pleasant surprise was a stunningly lyrical guitar solo from Driver during the last song - not sure what song it was but it was gorgeous. By that point, it seemed like they had already completely lost some of the audience, though - a couple of the guys in the front row next to me looked noticeably impatient with the whole affair.
Photographically, this was a tough show to get anything exciting, between the mostly static performers and completely static lighting. At least there was enough light (barely), but it was patchy and strongly hued. This weekend, in fact, I had a first: I blew out the blue channel in several of my photos. I’m used to screwing up and blowing out red highlights, but blue is a new one for me. Still managed to get some decent shots, but nothing as dynamic as Saturday night’s show - which, all things considered, is hardly surprising. I shot wide open with my rented 17-55 again (boy was I sad to return it this morning), between 1600 and 3200 ISO, shutter speeds as high as 1/160 to preserve blue/red highlights, as low as 1/40 at times to try to get the performers who were standing deeper in shadow.
The nice thing about shooting at Rock & Roll Hotel is that, except at completely sold-out shows, it’s relatively easy to move around. I mostly shot from right in front of the stage, but during Earth’s set I moved to the side and slightly behind (which I how I got the headline shot of Dylan Carlson haloed by the spotlights up front). No problems like Saturday at Jaxx where I was pinned to one spot and not even in the front row.
One last Earth shot to close out this post… check out the full set at Flickr for more.