Dälek, still killin’ it

I owe a couple more show recaps: first is Dälek at Rock & Roll Hotel, actually just a day after I saw St. Vincent at the same venue (this was a couple weeks ago and I’m just now getting around to writing it up). This show was predictably great; Dälek live is quite literally a punishing experience, and if you don’t have earplugs at one of their shows you’re doing some serious damage to yourself. This time around they had expanded to a quartet, and as this review of the Philly show amusingly puts it, “Dalek didn’t look like any hip hop band I’ve ever seen - a metalhead bass player, a laptop DJ that look straight out of Death Cab For Cutie, a giant tattooed turntable DJ, and an almost scarily intense MC.” (Oops — the “metalhead” plays guitar, not bass.)

I’ve seen these guys annually for the past three years, and each time they’ve added a member. In 2006, it was just MC dälek and Oktopus, the producer. I believe their turntablist, Still, had just left the group at that point. Last year, they added the guitarist. This year, they added the dude on laptop and keyboard. Incidentally, I don’t remember seeing any laptops at all the last two times I saw them, but this time, Oktopus and the two “new” guys each had their own laptop.

All of this lineup shifting didn’t seem to have much of a discernable effect on their sound as far as I could tell. I mean, with Dälek live, you can basically hear three things: dälek rapping, Oktopus’ beats thumping, and a shitload of howling noise, not necessarily in that order. I guess my ears aren’t quite good enough to figure out exactly what effect the guitarist and laptop guy had on the howling noise. Still, I do have to say that, though this is a statement totally lacking in specifics, these guys sounded good. Noise is at its best when it evokes emotion, and Dälek is masterful at tweaking their sheets of sound to get the emotional response they’re looking for.

I was happy with this set as it included some great stuff from Absence (”Culture For Dollars” was totally mindblowing) as well as the expected material from Abandoned Language. As with last year, the closing song was “(Subversive Script),” and what a fantastic way to end it was, seeing as how it is home to one of the group’s most lethal beats ever. Also as with last year, I was left wishing their set had been much, much longer. Oh well.

As for the other groups: I left before Russian Circles came on, which was my loss because I understand they are awesome. I didn’t much care for Young Widows, who were billed as “noise-rock” but pretty much just sounded like indie-rock with a lot of noise on top, which is really not the same thing. I saw that they recently got signed to Temporary Residence, a label I generally respect, so perhaps I’ll have to give them another chance sometime. For more useful takes on these two bands, check out this review.

And, of course, there are photos…

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