I’m still alive, and I saw Bloodcount!

So. Long time no nothing. Since I last wrote anything of consequence, I’ve had the privilege of seeing four concerts, all of which were quite awesome. Seriously, one of the better streaks of shows I’ve had. At each of them I managed to take photos for the first little while, then settle in and just listen and enjoy the music — best of both worlds. I’ll tackle them in chronological order over the course of a few posts.

Way back when on February 9, I had the privilege of seeing Tim Berne’s Bloodcount play their third show since something like 1997. I don’t make much of a secret out of the fact that Berne is one of my favorite modern composers and bandleaders, and some of the stuff that Bloodcount put out in the 90s is up there with the best of his work, in my opinion (the first disc of Unwound is just astonishing). So to get a chance to see the quartet reformed was a real treat. They played two sets; the first consisted of mostly shorter pieces, which seemed more focused than the old meandering compositions of the 90s, and really condensed the energy of the quartet to great effect. The second set was a change of pace, as they played one piece over again (Berne’s performance the first time around, when they opened the first set with the song, was apparently flawed — I didn’t notice — as he said after the piece ended, “Well… the score is 1-0. I’m losing.”) but then unleashed a 45-minute behemoth on the audience. It was classic Bloodcount, unfolding in ways that were sometimes difficult to follow; attention-demanding but extremely rewarding. After the fact, Berne wanted to know if anyone had recorded that second set, and I can see why: it was fantastic. (Sadly, I don’t think anyone was recording.)

Photos of the show below, in black & white because the colors in the performance space at An Die Musik do not exactly translate well into film (they show up as kind of a sickly yellow that also tinges the skin tones… gross).

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