Zanussi Five @ Twins Jazz

You can never have too much Nordic free jazz in your life, so last night I went with a few friends to see Zanussi Five at Twins Jazz: a five-piece consisting of three saxophones, bass and drums. The biggest name of the bunch is probably Kjetil Møster, who played mostly tenor, and whom I am familiar with through his involvement with groups like Crimetime Orchestra. The only one of the five I’d seen before live was altoist Rolf-Erik Nystrøm, who played with POING when that ensemble played a show with Maja Ratkje last December.

I couldn’t find much online about this group, but what I did see compared them to The Vandermark 5 and Atomic, which led me to believe that they would play an energetic, relatively accessible form of avant-jazz. The first set they played last night, though, was anything but. What they played was more comparable to a much freer, unstructured brand of jazz that was as much about exploring pure sound and texture than it was about conventional rhythm and melody. Though there were plentiful hints of said rhythms and melodies, they were often just hints, and the result was something way closer to, say, The Electrics than to any Ken Vandermark group. Having invited a couple folks who are not really into the freer stuff so much as I was, I was a little too busy feeling misled about what this group was all about to enjoy their music. Too bad, because with the right expectiations I think I would have had a good time with that first set.

Regardless, though, their second set was much more along the lines of what I originally expected: avant-jazz chock-full of accessible melodies and rhythms, always on the verge of flying off the handle but never quite going there. This set was absolutely great, and I was bummed that two of my friends that I’d come with left after the first set — they would really have enjoyed the second. The band closed their set with a Fela Kuti cover; somehow it never occurred to me that a free-jazz combo boasting three saxes would be a natural fit to cover brass-heavy Afrobeat, but of course it worked and it was awesome. They also did an encore that was some kind of klezmer-polka-something with the rhythm section going nuts on an Eastern European folk dance rhythm… also awesome.

So all in all, Zanussi Five were a fun show, and one that really illustrates the power of expectations and how those expectations can shape experience.

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