Doh. There have been recent rumors about various indie labels being dissatisfied with eMusic — specifically its royalty system, which according to a post today at Digital Audio Insider pays less than 28 cents per song to be split between the label and artist (and that’s much higher than I would have guessed, frankly) — and today I noticed that all the Tzadik albums are gone from the service. Bummer.
eMusic is all over the place these days — in addition to the Ars Technica and Digital Audio Insider posts, I somehow just descovered eMusic’s own staff blog, 17 dots, which highlights new music and also features a very long philosophical post from eMusic’s CEO on the state of digital music distribution and the eMusic model. Also, the music/technology/business blog HypeBot started today a four-part series on eMusic, including coverage of recent label dissatisfaction; and an old thread at I Love Music has been revived with renewed discussion over eMusic’s business model.
Whether or not said model proves to be efficacious (and, much as I love the service, their scant payouts seem to make statistics like “eMusic receives on average more than $13 per subscriber every month. Compare this with the $7 per year that iTunes receives” less than relevant), it is undoubtedly at the center of the current debate regarding the future of music distribution, especially as regards indie music, and so I’ll be following it closely.