On an Island: “resounding bore”?

PopMatters’ review of David Gilmour’s new On an Island is probably the best thing I’ve read there for a while, in that I agree with it pretty much 100%.

On an Island sounds exactly like an album by a 60-year-old, semi-retried [sic], Upper Class British multimillionaire guitar legend, recorded with his famous friends—and the wife—on his floating houseboat studio anchored on the River Thames. It’s laid back beyond measure, sparse, leisurely, unforced—that last trait arguably missing from the pair of Gilmour-led Floyd albums. Whether all this results in Gilmour’s most personal, genuine musical statement or a resounding bore is a matter of perspective and personal taste.

Yup. I’m closer to the “resounding bore” side of things, but I do like the album and feel like it might appeal to me more as time goes on. Most of all, though, I echo this reviewer’s sentiment that, though we can criticize the album for being too laid-back, “thank Heaven Gilmour didn’t decide to ‘rawk’”. No shit.

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