I saw The Vandermark 5 tonight at the Iota Club in Arlington, VA. Wow, what a show. Those guys were intense and tight. I went with a friend of mine who is a sometime jazz pianist but not much of a fan of the more avant kind of stuff. He seemed to like the show though, especially the couple ballads that they played, and was impressed with the arrangements. I found Fred Lonberg-Holm’s contributions pretty fascinating. His cello playing was quite a distinctive shift, to be sure, from Jeb Bishop’s trombone — he was kind of a musical chameleon, at times doubling the bass or playing the rhythm, at others taking a solo spot, at still others just kind of filling the spaces with an edgy, noisy swirl of bowed, blurry notes. I think his presence gives the quintet a bit more of an “out” feel than they used to have. He was certainly a beast, playing ferociously throughout, but he did occasionally play it straight and melodic, during which times his contributions were beautiful and lyrical. Certainly one heck of a diverse player.
I was surprised at Tim Daisy’s work on the drums — he played straighter than I expected most of the time, to the point that when he locked into a groove, a more jazz-inclined listener might find him a bit stiff. My more rock-oriented background had less of a problem, but I didn’t expect to be nodding my head and tapping my foot quite as much as I was!
Also interesting, I talked briefly with Vandermark and asked him what was up with Spaceways Inc.; apparently that group has some trouble being active given the busy schedule of drummer Hamid Drake, so Vandermark is starting another group. I forget the name of this group and the lineup, but it includes two electric basses and Vandermark said that if I liked Radiale (which I do, very much so), I’d probably like this one — lots of funk in the jazz. Or something like that. Apparently they’ll be recording in the spring. Looking forward to that, for sure.