Mike Prete asks the question: What have you been listening to lately? Well, okay, he didn’t really ask it that explicitly, but I feel like answering anyway. I’ve been unemployed for the past two months - quit my job at the beginning of December - so I’ve had plenty of time on my hands to listen to good stuff (and catch up on some promos that I was sent long ago).
Currently spinning is free-jazz alto saxophonist Tim Berne’s The Sublime And. - a totally brilliant live album from his Science Friction band - Berne on sax, plus his usual sidemen on guitar (the inimitable Marc Ducret - I’m trying to track down his Qui parle?), drums, and keys/electronics. This stuff totally rips. I’ve definitely been on a kick lately exploring some of the more out-there modern jazz - the downtown scene, the Blue Series stuff, lots of the better stuff on Tzadik, etc. Berne’s work may be edging closer to my favorite among it all, though knocking off Electric Masada’s 50th Birthday Celebration disc might be a tall order.
Otherwise, well, a lot of the stuff I’ve been listening to has been the stuff I’ve reviewed recently. For a while I was back to metal, listening to Amorphis and Dissection and the like - and right now I’m trying to find myself a copy of Gorguts‘ followup to the absolutely brilliant Obscura, From Wisdom to Hate. The release of K.A had me revisiting a lot of my old Magma - I think K.A may eventually become my favorite Magma album, because it’s got all the ingenuity of the old stuff, but with way, way better production and sound.
And I found some tapes of my old radio show, “In Praise of Listening,” that I did for one semester my sophomore year at WYBC, Yale’s radio station, before their Internet stream went down for something ridiculous like an entire year. Listening to that brought back some pretty neat memories, and reminded me of a lot of old stuff I haven’t even thought about recently - like, say, that great surprise from Rockenfield/Speer, Hells Canyon.
The neat thing about my listening style is that I now listen almost entirely to MP3s. When I get a new CD, I rip it immediately to MP3 - I have a 160-gigabyte hard drive dedicated entirely to music, and a 40-gigabyte portable MP3 player (the Creative Nomad Zen Xtra - a slightly clunky and considerably cheaper iPod clone). Because of this, I have ready access to practically my entire music library whenever I want. No hunting around for CDs, no having to switch CDs every time I want to listen to something different. Sometimes this is bad, because I get all ADD. But most of the time it’s great, because it means that I listen to a much more diverse range of stuff than I would otherwise, and I’m much more likely to, say, listen to old stuff that I haven’t pulled out in years. I don’t have enough inclination to go get my old Pink Floyd CDs, but sometimes I have enough to scroll down to the Ps and click on “Echoes”. I was a little afraid my listening habits would go completely bonkers with this newfound freedom when I made the switch to MP3s, but I think the real effect has been almost entirely positive.
But I digress. How about stuff I’m looking forward to? Let’s see - the Naked City box, the new Present (oh man), the new Mars Volta (I think it’s either going to be really, really awful or really good), the new Silver Mt. Zion. That’s some good stuff. But I would be pretty surprised if 2005 turns out to be a better year for new music than 2004; last year was really, really good in my opinion. I think it’s going to be hard to keep my best of 2004 list down to ten albums, in fact, especially if I accumulate much more from 2004 over the next 11 months before I write the list.
In short, though, most of what I’m doing right now is trying to restrain myself from buying shitloads of new jazz CDs until after I get a job and have some cash flow again. Oooh, it’s hard sometimes.