Prog: the bebop of rock?

I like to think of the progressive rock movement as vaguely analogous to the bebop movement. Both see an increase in musical sophistication and roots in a counterculture of some sort. So why was bebop so much more successful? Jazz was as “popular” and “lowbrow” before bebop as rock was before (and, hell, after) progressive rock. I’m just now learning about the history of these musics, so maybe there are answers… but I see these as open questions.

Spinning early this morning:

  • King Crimson - Red - see my note about “Starless” in yesterday’s entry
  • Mogwai - Come On Die Young - very mellow; hasn’t quite gotten through to me yet
  • Pink Floyd - The Final Cut - I have a love-hate relationship with this one…
  • Univers Zero - The Hard Quest - finally growing on me, in a really big way

Through the fish-eyed lens of tearstained eyes
I can barely define the shape of this moment in time
And far from flying high in clear blue skies
I’m spiraling down to the hole in the ground where I hide
Pink Floyd, “The Final Cut”

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