Posts Tagged ‘Animal Collective’
Wednesday, March 22nd, 2006
A couple recent show recaps: The Claudia Quintet and Animal Collective.
I saw the former play at Twins Jazz last week, as I mentioned in the previous entry. This is a pretty nice little jazz club, reasonably priced ($7 for the show plus a $10 food/drink minimum) and intimate. I brought three friends (how often do you get to bring friends to Cuneiform shows?) and we had some good food and enjoyed the Quintet quite a bit. As I said, I’m not entirely sold on the one album of theirs I have, I, Claudia, but as I expected, I was much more enamoured with them live. Bandleader John Hollenbeck’s busy, groove-oriented drumming comes across much more aggressively live, and vibraphonist Matt Moran is a very physical player who’s a joy to watch. I’m still not entirely sure that Ted Reichman’s accordion presence is either necessary or exploited to the fullest extent possible, though — I spent almost all of the show not noticing his contributions at all.
Chris Speed — whose work with Tim Berne’s Bloodcount band in the mid-90s I really enjoy — was the wild card. His contributions on clarinet and sax gave the band their freest flourishes — while one could call The Claudia Quintet an “avant-jazz” group, they’re not anywhere close to the skronky variety. But Speed comes closest to that aesthetic, and indeed blew up in one particularly blistering tenor solo that literally left my heart pounding. On the contrary, though, my friends thought he was the weak link — too free for their tastes, perhaps.
I’m still not a huge fan of The Claudia Quintet’s recorded work, which lacks the immediacy and intensity of their live show. But I’ll gladly jump on the opportunity to see them again the next time their tour brings them to my neck of the woods.
As for the latter show, which was tonight: I’m not all that familiar with Animal Collective, and in fact the opening band, Stórsveit Nix Noltes, was a big reason I decided to go. I’d actually never heard of them before, but the description piqued my interest: an Icelandic big band playing rocked-up instrumental Eastern European folk. I’m a sucker for that kind of stuff, and sure enough I wasn’t disappointed. These guys played a seriously fun brand of music that brought to mind all sorts of comparisons — the Scandinavian folk-rockers on the Northside label, say, or even the more upbeat side of Alamaailman Vasarat. The nine-piece played numerous horns, banjo, cello, acoustic bass, accordion, and so on in addition to the usual rock instrumentation, which gave them a really big sound. The diversity of instrumentation was used mostly for unison lines rather than counterpoint, but melodies were occasionally traded between instruments (most often trumpet, accordion, and banjo) to nice effect. A really engrossing, fun show, and I was telling myself that even if I didn’t like Animal Collective at all, Stórsveit Nix Noltes was worth my thirteen bucks.
Which was probably a good thing, because surprisingly, I didn’t really dig the headliners that much. Let’s get this out of the way: Animal Collective are fucking weird. Imagine pastoral folk played over thumping neo-Krautrock beats, and all of it dominated by insanely caterwauling vocals — like Demetrio Stratos at his most obtuse squealing away atop PFM’s instrumental backing, with jolts of Faust and the Boredoms inserted randomly here and there. The combination of such seemingly unrelated elements was refreshingly jarring, but the end result wasn’t anything I particularly enjoyed. It was all a bit too repetitive and monolithic — the band hammering away at a single chord or motive for minutes on end while the vocalist(s) performed wild (and, admittedly, at times wildly entertaining) gymnastics over said static background. I liked some of it, but after a while it actually got pretty boring.
Shockingly, the Animal Collective show was sold out. Which leads me to think, if a band this fucking weird can sell out a fairly large club like the Black Cat, what’s to stop different sorts of avant-rock from gaining a similar kind of indie cred? If Animal Collective, then why not, say, Thinking Plague? If anything, the latter, and similar groups like 5uu’s, are more accessible than the former in all ways except rhythm (the single grounding element of Animal Collective’s music seems to be pounding, simple, danceable rhythms). One can only hope that the state of “cool” in underground music will continue highlight bands trying truly different, and difficult, things.
Tuesday, February 14th, 2006
Some responses to comments on earlier posts:
First, regarding this project I’m doing, writing a few paragraphs about every single album I own. This is coming along, but slowly. (It’s hampered by the fact that last month I got far too many new CDs. I am toning it down in the next couple months for logistical and financial reasons, so this problem should recede a bit…) I’ll be happy to post a PDF of an unfinished version, once I have a bit more written. As for actually using some of the blurbs for reviews, I’m a little hesitant to do so, but if there are any that I’m really happy with, I’ll consider it. The thing about reviews — and this goes back to the whole philosophical reflection I had earlier about the role of reviews in general and G&S specifically — is that they’re pretty definitive. At least, that’s how they’re interpreted. So I like to be a little more considered when writing a review that ends up being (theoretically at least) a reference for a lot of people. Still, a good idea Sean, and if it gets you to write some reviews, it’s probably worth it :)
Thanks Mike for the Animal Collective recommendation. I downloaded it from eMusic (which I have started using to try out albums and bands that I’m not sure I’ll like) and find it interesting, if not yet actually captivating. Still, I feel like it’s a grower. On the live-music train of thought, I’ve convinced three or four friends to come with me to see Charming Hostess next month — it’s amazing how easy it is to get people interested just by repeating their “Jewish/Balkan nerdy-sexy-commie-girlie” self-description. Well, at least among my group of friends. Also, it helps that they’re performing in an über-hip, locally-owned coffee shop/performance space, Busboys & Poets.
And, looks like Pelican and Mono have announced some spring tour dates, and they’re coming to DC in May. That’ll be a nice followup to the Isis show a week or so earlier.
Thursday, January 26th, 2006
Here’s a look at some of the interesting shows coming up in the DC area in the next few months. This post is as much for me as for anyone else, though folks in the area may find something they like. Note that I’ve omitted some obvious prog-centric shows, like Rick Wakeman, The Carl Palmer Band, Niacin, Mahavishnu Project, Spock’s Beard, etc., since I’m not personally interested in them.
- Alec K. Redfearn and the Eyesores at The Warehouse Nextdoor, January 27 — Hey, that’s tomorrow. I missed these guys the last time they were in DC, and still haven’t heard their album on Cuneiform, but I may well check them out in this venue anyway. Weirdly, this show is listed at the Warehouse website but not the Warehouse Nextdoor site, so I’ll have to call to confirm that it’s actually happening…
- The Vandermark 5 at Iota, February 3 — Nice; I didn’t even know these guys were on tour. One of my favorite contemporary avant-jazz ensembles. I’m seriously thinking about plonking down the cash for their 12-CD live box set; maybe I should actually go see them live before I make that call!
- Low at The Black Cat, February 4 — I haven’t heard any of these guys’ recent output, but I like what I do have (namely The Curtain Hits the Cast) and for $13, I might check out their live show.
- Nile at Jaxx, February 8 — They’re touring in support of Annihilation of the Wicked, one of metal fans’ highlights of 2005. I haven’t quite gotten into that record as much as many others, but maybe I’ll make it out to Springfield for this show to see what I’m missing.
- Formanek/Berne Quartet at An Die Musik (Baltimore), February 11 — Ever since I first got into saxophonist Tim Berne, I’ve been waiting for him to play a live date somewhere near me, with any one of his numerous bands. He plays incessantly, but generally only in the New York area. This is my first chance to see him (and with Tom Rainey, perhaps my favorite current jazz drummer)!
- The Wu-Tang Clan at The 9:30 Club, February 13 — I’d be interested in seeing these hip-hop godfathers, even if I find live hip-hop more miss than hit, but tickets are $50. No thanks. I’m not really surprised that they already sold out one set even at those prices, though.
- Flogging Molly at The 9:30 Club, February 22 — I used to be a big fan of these guys, but I’ve kind of tired of their Celtic-punk gimmick. I might go anyway, except for the fact that I just bought tickets for a vacation to Ecuador leaving on the 22nd. Next time, maybe.
- Belle & Sebastian at The 9:30 Club, March 5 & 6 — Both shows already sold out; wow. I saw these guys a couple years ago and it was a lot of fun, even if their live sound is pretty much exactly the same as their studio sound.
- Charming Hostess at Busboys & Poets, March 7 — The a cappella trio version of the band is going strong: three women singing Jewish and other folk-influenced stuff, with a unique feminist/leftish/something sort of bent. I’ll definitely be at this show; cool venue too.
- Mogwai at Sonar (Baltimore), March 7 — I wish they were coming closer to DC, and I wish they didn’t conflict with Charming Hostess. This being a weeknight I’ll probably opt for the closer show; maybe they’ll schedule a date closer to DC as the time nears. Sure hope so; when I saw them at the 9:30 a couple years ago, they were awesome.
- Orthrelm at Talking Head (Baltimore), March 16 — Given that OV is possibly my favorite record of 2005, and I can’t imagine how it could possibly be pulled off live, seeing Orthrelm is a must for me. But since they’re from DC, surely they’ll be playing closer than this sometime in the near future. Might wait til then.
- Grey Eye Glances at Jammin’ Java, March 18 — They rarely seem to play outside of New England, so I’m pretty excited that these folk-rockers will be coming down to Virginia again. I saw them in Boston, though sans Brett Kull (Echolyn, who along with Ray Weston has been an integral part of the band for a while now), and they were great. I’m there.
- The Gathering at Jaxx, March 19 — If I have it in me to trek out to suburban NOVA two nights in a row, this should be a fun show; melodic goth-metal band that I’ve reliably enjoyed since their mid-90s output. Apparently one of only 6 shows they’re playing in the U.S.
- Animal Collective at The Black Cat, March 21 — This avant-folk band has been getting rave reviews from people I respect, but I haven’t heard any of their stuff yet. If they’re as good as everyone says though, I’ll be at this show.
- Cyro Baptista at Lisner Auditorium, March 25 — I’ve only heard Baptista in the context of John Zorn-related projects (like Electric Masada, where he is a beast). Here he’s performing with his Beat the Donkey band, which the Lisner website describes as “hilarious fusion overload” with “all the impact of a Brazilian carnival.” How can I miss that?
- Green Carnation at Jaxx, March 29 — Well, I think these guys have been pretty lame since Light of Day, Day of Darkness, but they’re the kind of band that I bet would be pretty fun to see live. Might make it out to this one.
- Isis, Dälek and Zombi at The Black Cat, April 30 — WOW what a lineup! The band that released my favorite album of 2004, Panopticon; one of the most forward-looking, avant-garde hip-hop groups there is, who have collaborated with Faust in the past; and a group I haven’t heard yet that is most often compared to Goblin. This is easily the most-anticipated show on my list here. Can’t wait!
Also, Mono and Pelican are touring this summer along with who knows who else. Looks like this could be a strong year for live music. I think I may make more of an effort to go to shows than I have in the past, if I can afford to do so (and if I can convince some friends to join me for some of these).