Posts Tagged ‘Arnold Schoenberg’

What’s spinning, March 30 edition

Monday, March 30th, 2009
  • Agoraphobic Nosebleed - Agorapocalypse Now — The new ANb record is going to piss off a lot of old fans: for starters, there are only 13 songs, and two-thirds of them clock in at over 2 minutes. What’s more, the music actually grooves in places, and there’s a female vocalist (growling and screaming; don’t worry, this is no goth-metal band). I think it rocks and it’s already my favorite ANb that I’ve heard… we’ll see how the diehards react.
  • Arnold Schoenberg/Hilary Hahn - Violin Concerto — I wasn’t familiar with Schoenberg’s violin concerto, and this is my first listen to Baltimore’s favorite violinist. My first impressions on both counts: very favorable.
  • Decoder Ring - Fractions — Really pleasant record from this Australian post-rock/electronic band. Lenka Kripac’s ethereal vocals add a ton, and the end result is a moody slab of chilled-out music that has a couple nice surprises up its sleeve.
  • Flower-Corsano Duo - The Four Aims — 50 minutes of free improvisation, a duo of drums/percussion and shahi baaja, a kind of Indian electric mandolin. I wrote a few paragraphs about this one over at the City Paper.
  • Kylesa - Static Tensions — Savannah, Georgia might seem an odd place for a fucking awesome metal band to emerge, but Kylesa are just that, and their latest album is their best yet. On some of these songs (like the absolutely awesome “Running Red”), they sound a bit like Mastodon does now, only heavier and… better.
  • Mastodon - Crack the Skye — Speaking of Mastodon, I just don’t like their new direction. Crack the Skye is a definitely step up from Blood Mountain, but that just means I find most of it boring instead of tasteless.
  • Napalm Death - Time Waits For No Slave — You know, I never really got that much into Napalm Death’s classic stuff. But this new album totally grabbed me. It’s weirdly hooky and groovy, as far as grindcore goes. In that sense it’s kind of like the new ANb: a pretty great, quite accessible surprise.
  • The BBC - WFMU Studios 9/14/2008Tim Berne, Nels Cline and Jim Black as a trio! Berne and Black play with the chemistry you’d expect, but Cline integrates himself quite nicely indeed. This recording, from a live radio session, is incendiary and entertaining, and the interview segment is amusing as hell. This trio is doing a couple shows in Australia soon; here’s hoping they do some shows in the U.S. soon.
  • The Coup - Kill My Landlord — I’ve been looking for this sucker for years, and it’s finally back in print. This is from the early period of the group, along the same lines as Genocide & Juice, which is far and away my favorite album by The Coup. It doesn’t disappoint. This stuff is way better than the more recent releases like Pick a Bigger Weapon and the hugely disappointing Party Music.
  • The Decemberists - The Hazards of Love — Jury’s still out on this one. Definitely a concept album that has to be listened to from start to finish. Only a couple songs really reached out and grabbed me after a couple listens, but I’m willing to put some effort into this one so we’ll see how it pans out for me.

Teaching high schoolers about the avant-garde

Wednesday, August 6th, 2003

So I’m bouncing between jobs at the moment - starting what will be my full-time job for the next two years next week - which is why updates have been sporadic this summer. I spent six weeks in June and July at the Governor’s School of North Carolina, teaching social sciences and Area III (”self and society”), which I also did two years ago. The neat thing about Governor’s School is that since all the concepts and ideas taught are twentieth-century, all the music that the orchestra and choral music students perform is contemporary stuff. This year some of the highlights for me were Pärt, Glass, Schönberg, and Penderecki. The Planets was also on the curriculum, to my surprise - I’m getting damn sick of “Jupiter”.

So the result is that lately I’ve been on a RIO kick (before and during Governor’s School I was on a free jazz, particularly Coltrane, kick). Current listening is In Praise of Learning - I really need to get me some more stuff with Dagmar Krause. I’m convinced that the only reason she has such a reputation as a “difficult” singer is because of “War” - really, aside from that song she’s not all that weird, at least not on this album.