Posts Tagged ‘best of’
Thursday, November 19th, 2009
Hey, ok, this was supposed to be done last December, but instead I was busy pulling together a best of 2008 list for the Washington City Paper. But that just means more perspective, right? So no worries. Anyway, as of now, here is my top 10 list of 2007. Next month, I promise, I’ll have my real best of 2008 list posted, on time (a year late as normal, instead of two).
- Do Make Say Think - You, You’re a History in Rust
In which the venerable post-rock band explores glorious noise, rough vocals, and moments of pure beauty amidst chaos. DMST have never stopped evolving and this is easily their best album yet. It’s also to their lasting credit that they are pretty much the only post-rock band that might actually be considered somewhat unpredictable.
- Aranis - II
Largely acoustic, upbeat, highly melodic, sometimes insanely intricate chamber-rock. No drums or percussion, yet this is some of the most head-noddingly rhythmic stuff imaginable. Composer/bassist Joris Vanvinckenroye is a pretty phenomenal talent, and this one is his finest hour so far.
- Zs - Arms
As far as room-clearing records go, parts of this one rank just below Orthrelm’s OV. This may well be the last of Zs’ overtly progged-out records, given their recent lineup change and a shift towards more minimal, less accessible material. So, Arms is likely to remain my favorite studio album by this band, ever.
- Dälek - Abandoned Language
After the brutal, no-holds-barred noise of Absence, this seemed like a letdown at first. In this case, first impressions are deceptive: the relative calm of this album masks a seething anger and hidden intensity that makes Abandoned Language my favorite album by this cutting-edge hip-hop ensemble.
- Om - Pilgrimage
Not too much metal left in this stoner-metal outfit; instead, it’s a spiritual journey with Pink Floyd’s “Set the Controls For the Heart of the Sun” as a guide. Powerful, intense, and moving, this one is short and sweet and leaves me wanting more every time I listen to it.
- Despised Icon - The Ills of Modern Man
Perhaps the pinnacle of the entire deathcore genre, this album is really just awesome death metal with some breakdowns (and pig squeals) thrown in for the moshers. Catchy hooks and killer rhythmic breaks abound, and the dual growling vocalists grab your attention and never let go. Even if you hate deathcore, you might like this record.
- St. Vincent - Marry Me
Understated and weird, this album from a former guitarist for Sufjan Stevens and The Polyphonic Spree took me completely by surprise with a unique, offbeat charm. Annie Clark’s guitar work is wonderful when she lets it rip, but it’s her voice and her bizarre compositional sense that carry this album. It’s indie-rock with a hint of the avant-garde, and it’s one of the more memorable debuts in recent memory.
- Sleepytime Gorilla Museum - In Glorious Times
So, this is a pretty solidly great album from this uniquely theatrical avant-rock band. Somehow, though, it hasn’t been nearly as memorable for me as either of the albums that preceded it. All of SGM’s albums are basically essential for any fan of heavy experimental rock, this one’s just a tiny step lower than the other two.
- Nadja - Touched
I cannot describe this better than a frequent poster on the 5/8 forums: “Listening to Nadja is like swimming in a sea of declawed kittens.” Yes. So much fuzzed out bliss. Especially on this album, which is far and away my favorite of this prolific drone/doom-metal band’s many releases.
- Thing with Ken Vandermark, The - Immediate Sound
This one falls perfectly into that niche of avant-jazz that I like: it’s “out,” with plenty of wild collective improv and unpredictable solos, but it’s also recognizably jazz, anchored in rock-solid grooves and accessible melodies. Also, it rocks. You wouldn’t really expect anything less from this lineup.
As always, this was hard, and lots of great things missed the cut. One of particular note is Epica’s The Divine Conspiracy. I listened to this a ton but couldn’t quite bring myself to put it on the above list. I’m sure I’ll catch some heat for liking this stuff - it’s like warmed-over prog-metal with a combination of death-metal vocals and beautiful female clean vocals. But damn can these guys write a catchy song. I don’t understand why they don’t get more love in the prog world; there’s tons of bombastic keyboards, epic lyrical themes, and general cheesiness, plus a fantastic lead vocalist and really long songs. What’s not to love, prog fans?
More things I liked from 2007:
- Æthenor - Deep In Ocean Sunk the Lamp of Light
- Alamaailman Vasarat - Maahan
- Alcest - Souvenirs D’un Autre Monde
- Baroness - The Red Album
- Between the Buried and Me - Colors
- Car Bomb - Centralia
- Caspian - The Four Trees
- Cato Salsa Experience & The Thing with Joe McPhee - Two Bands and a Legend
- Cephalic Carnage - Xenosapien
- Cline/Parkins/Rainey - Downpour
- The Dillinger Escape Plan - Ire Works
- Feist - The Reminder
- Grayceon - Grayceon
- Carla Kihlstedt & Satoko Fujii - Minamo
- Eric Malmberg - Verklighet & Beat
- Miasma & the Carousel of Headless Horses - Manfauna
- The National - Boxer
- Neurosis - Given to the Rising
- Original Silence - The First Original Silence
- Pig Destroyer - Phantom Limb
- Scorch Trio - Live in Finland
- Soft Mountain - Soft Mountain
- Tin Hat - The Sad Machinery of Spring
- Yakuza - Transmutations
If I think to do it, perhaps a couple “favorite shows” posts will be forthcoming as well (one for 2008, since I forgot to do one last year, and one for 2009). But the top 10 albums of 2008 post is definitely coming soon.
Wednesday, December 24th, 2008
Well, my best of 2007 list is now long overdue — I usually do these things at the beginning of December. I’m working on it now; in the meantime, you can check out my best of 2008 list at the Washington City Paper. Yes, I sold out my principles to do a year-end list for this year, even though I haven’t heard anywhere close to all the 2008 albums I want to hear yet. When I do a best-of-2008 list here next year, it will probably look very, very different from the list at the City Paper. Still, there might be some things of interest there. Sound clips and everything!
Wednesday, January 2nd, 2008
Happy New Year dear reader! Although I obviously won’t be doing a best of 2007 list just yet, I figure one thing I can do is talk about a few 2007 reissues I thought were great — since I don’t include reissues in my best-of-year lists. I don’t really follow reissues the same way I do new releases, so this list is even more personal than some of my other ones, but anyway, here are some highlights.
Kevin Drumm’s Sheer Hellish Miasma is a 2002 noise recording, reissued this year with an extra track. This was a revelation for me — an electronic apocalypse from a guy I only knew at the time from a similarly cacophonous collobration with Weasel Walter (Flying Luttenbachers) and Fred Lonberg-Holm. Drumm is also active in the eai world, but this stuff is about as far as it gets from the so-quiet-you-can-barely-hear-it end of that genre: though arguably minimalistic, the noise on this record is punishingly brutal. And oh so fucking awesome. Might review this one in the near future; the one thing stopping me is a total lack of reference points or vocabulary to talk about it.
Baby Grandmothers‘ self-titled release — technically this is an archival release and not a reissue, since this stuff was never actually published as far as I know. As far as early Swedish psych-rock goes, this is some of the best I’ve heard. Read my review for more.
I got John Coltrane’s Live in ‘60, ‘61 and ‘65 DVD for Christmas, which was a few days after Oscar Peterson’s death. Peterson is featured on a song or two from the 1961 session here, and I thought it a fitting tribute to get to enjoy footage of one of his inimitable solos. Also it was neat to see Reggie Workman, a bassist whom I have seen perform a few times in the Baltimore/DC area in recent years, playing 45+ years ago yet looking strikingly similar to how he does now. Otherwise, the highlight of the set is a 1965 performance of “My Favorite Things” that stretches for nearly half an hour and reaches some dizzying heights.
Peter Brötzmann’s Complete Machine Gun Sessions is a very nice reissue package of a classic free-jazz blowout. The only problem is that the original “Machine Gun” is so intense and draining that I can barely stand to listen to anything more along the same lines after sitting through it once. I’ve taken to listening to the bonus tracks separately from the original, which seems to work okay. Sometimes I’m a bit of a wimp.
Finally, one that I have, but haven’t actually gotten around to, is Sun Ra’s Strange Strings, which is getting raves from many corners of the Internet, and not just the dark corners populated by crazies. This is an album where the whole Arkestra plays string instruments, which kind of sounds like a downright frightening prospect to me, but what do I know? I haven’t listened to it yet.
Sunday, December 9th, 2007
This best of 2006 list was extremely challenging to come up with, if only because I’ve begun listening to new music at an even greater rate, and I just had a lot more to choose from this time around. The list below is one that, perhaps more than any other best-of-year list I’ve done, I feel could be significantly different a year, a month, or even a week from now. That said, I am definitely glad I waited a year to do this one, as I hadn’t even heard 40% of these albums by the end of 2006.
Before we get started, if you’re curious, my best-of lists for 2005, 2004, 2003, 2002, and 2001 are also available on this blog. Now for the main attraction:
- Newsom, Joanna - Ys
Head and shoulders above the rest, Ys could be my favorite album of the decade, not just the year. Newsom’s voice, lyrics, compositions and harp playing are bewitching, and I’ve been listening to Ys regularly for the past year and never get tired of it. I expect this to be a long-lasting classic, and unlike many critics, I don’t use that word lightly.
- Tanakh - Ardent Fevers
I’ve become fairly indifferent to most new indie-rock out there, but this group plays an endlessly interesting meshing of styles that transcends genres. There’s post-rock and ambient music influences as well as straight-ahead melodic songwriting, and there are some wicked scorched-earth guitar solos to boot. Music that’s difficult to describe and pigeonhole is often very appealing to me, and Ardent Fevers is a perfect example.
- Zs - Buck
Perhaps the most interesting avant-rock band operating today, this live album shows the power that a telepathically tight ensemble playing formally composed, wickedly difficult music can have. A must for anyone interested in dissonant, rhythmically complex modern music.
- Decapitated - Organic Hallucinosis
Speaking of rhythmically difficult, this band’s nerdy death metal is occasionally jaw-dropping in its technicality, which makes the recent death of their drummer in a car crash all the more tragic. I was all stoked to see these guys live, but the death of their drummer and hospitalization of their guitarist was too much for the band to handle and they promptly disbanded. One of the saddest stories in music all year (2007, to be clear). RIP Witold “Vitek” Kieltyka.
- NeBeLNeST - ZePTO
I guess I do still like prog. ZePTO is the only original prog album on this top 10 list, though admittedly it’s no namby-pamby symphonic fairy tale. This album sees the French quartet dip into avant-garde waters; their music has always been dark, dissonant and amorphous, but never quite to this extent.
- Univers Zero - Live
Notable for many reasons, not least that it’s the first official live release for this 30-year-old band, but also because the performances are simply top-notch. “Xenantaya” especially absolutely comes alive compared to the studio version, and the inclusion of older pieces like the classic “Toujours Plus à l’Est” is a wonderful surprise.
- Om - Conference of the Birds
There’s only one transcendent song on this album, but then there are only two songs total. The 16-minute “At Giza” is an absolute triumph of repetitive, trancey, spiritual metal, still the best thing this band has ever done. In concert, three separate people exclaimed after this song that it was a “religious experience.” They may be overstating the case, but not by too much.
- Yo La Tengo - I Am Not Afraid of You and I Will Beat Your Ass
Everyone’s favorite noisy indie-rock band gets back to the noise! The opening and closing epics on this album are the classic feedback-drenched workouts that, as much as their poppy vocal numbers, helped give this band their reputation. The best thing they’ve recorded since the glory days in the mid-90s.
- Espers - II
I was a latecomer to this acid-folk group, and this was my introduction to their music. Greg Weeks, formerly of New Sonic Architecture fame, and Meg Baird combine to make some of the most evocatively edgy folk music I’ve heard. Mellow Candle comes to mind; these guys possess an equally formidable melodic sense (and their vocal duets are equally as wonderful), but their vision is way darker.
- Satoko Fujii & Natsuki Tamura - In Krakow In November
I love Fujii’s quartet albums and like her orchestra works, but it’s in a solo and duo setting that, in my opinion, she really shines. Her melodic sensibility is simply beautiful, and that really comes through in this recording with trumpeter/husband Tamura. “Morning Mist” is pure distilled beauty, but the whole record is a delight.
I seem to say this every year, but 2006 was a pretty damn good year. I suspect this will be true for every year as long as I continue keeping up with a wide depth and breadth of new music. Certainly 2007 — in which I bought more albums released this year than ever before — is shaping up to be fantastic. It’s certainly a good time to be a fan of underground, experimental music.
Just to prove the point — and this is probably a bit excessive — here are a bunch of other albums from 2006 that I really liked. Four or five of these could easily have been in the top 10 if I’d been in a slightly different mood.
- Aghora — Formless
- Christina Aguilera — Back to Basics
- Amon Amarth — With Oden On Our Side
- Atomic — Happy New Ears!
- Michaël Attias — Credo
- Tim Berne — Livein Cognito
- Iva Bittová — Superchameleon (DVD)
- Boris — Pink
- Peter Brötzmann, Marino Pliakas & Michael Wertmüller — Full Blast
- Burial — Burial
- Nels Cline — New Monastery
- The Core — Blue Sky
- The Coup — Pick a Bigger Weapon
- Damsel — Distressed
- The Decemberists — The Crane Wife
- Enslaved — Ruun
- From a Second Story Window — Delenda
- Nelly Furtado — Loose
- Genghis Tron — Dead Mountain Mouth
- Isis — In the Absence of Truth
- Isis — Clearing the Eye (DVD)
- Isis & Aereogramme — In the Fishtank 14
- Glenn Kotche — Mobile
- Magma — Epok II (DVD)
- Loreena McKennitt — An Ancient Muse
- Mogwai — Mr. Beast
- Simon Nabotov & Tom Rainey — Steady Now
- Nightwish — End of an Era (DVD)
- NIMBY — Songs For Adults
- One Shot — Ewaz Vader
- Peeping Tom — Peeping Tom
- Radio Massacre International — Septentrional
- Sunn O))) & Boris — Altar
- Justin Timberlake — FutureSex/LoveSounds
- Unexpect — In a Flesh Aquarium
- Uzva — Uoma
- The Vandermark 5 — A Discontinuous Line
- Yakuza — Samsara
- Dhafer Youssef — Divine Shadows
- Zaar — Zaar
There you have it. I’m planning a couple other posts, coming towards the end of the month, recapping my 2007 without actually doing a top 10 albums list, since, of course, that’ll be coming in a year. But I do want to talk about my favorite concerts of the year, as well as discuss the continuing evolution of my music tastes (in this case, this year saw me listening to more extreme metal and free improv than ever).
Wednesday, December 6th, 2006
Another odd quirk about that best of 2005 list I just posted: of the ten albums, a whopping five are live albums, two are EPs, and only three are actual, honest-to-God, full-length studio albums. Very strange.
Monday, December 4th, 2006
Early December means best-of-last-year list time! Here’s what my Best of 2005 list looks like right now. (For those of you interested in ancient history, my best-of lists for 2004, 2003, 2002, and 2001 are also available in this space, along with explanations of why I delay these lists by a full year.)
- Bar Kokhba Sextet - 50th Birthday Celebration Volume 11
Even now, as I begin to tire of John Zorn and his millions of side projects, this outfit gets me excited every time. The sextet — guitar, violin, cello, bass, drums, percussion — lends a rich orchestration to Zorn’s tuneful Masada compositions. This bargain 3-disc set captures the group at the height of their powers, and boasts a sound that skillfully combines beauty and skronk.
- Charming Hostess - Punch
I guess technically this is an archival release, recorded in the late 1990s. However one categorizes it, it’s a worthy follow-up to the Charming Hostess big band’s Eat, and might even be better than that rather astonishing debut. Impossible to easily describe and also impossible to dislike.
- Orthrelm - OV
“Impossible to dislike” sure as hell doesn’t describe this one, though: it’s about as grating as can possibly imagined. I actually heard this in an independent record store — they put it on without knowing anything about it, and only lasted about three minutes before they had to change it. Imagine a metal record skipping continuously (for 45 minutes) in the middle of a particularly speedy riff, and you get the idea. The thing is, though, it’s genius — a kind of metal minimalism that’s hypnotic and affecting once you get over the initial shock of it all.
- Iron & Wine - Woman King
Sam Beam is a fantastic songwriter, but on previous Iron & Wine albums I’ve felt that the minimal arragements made his songs less exciting than they could be. This six-track EP ups the ante a bit with bigger production and more instrumentation, and to amazing effect. Combined with the (also very good) EP he did with Calexico, also in 2005, this was easily the best year yet for this excellent indie songwriter.
- Maneige - Live à L’Évêché
This archival release was my first exposure to this French Canadian symph group, and I wouldn’t be surprised if it remains a lasting favorite. I’ve yet to hear anything from these guys that I like as much as this album (though I haven’t disliked anything I’ve heard). Really beautiful melodies and a keen sense of orchestration, all done in a pretty tasteful way — if only Maneige had been the poster children of 70s symphonic rock and not, say, ELP!
- Tim Berne - Feign
I get the sneaking suspicion that any year this prolific avant-jazz saxophonist releases something new, he’ll make my top 10 list. Feign features Berne’s “Hard Cell” trio (piano/sax/drums) and is as energetic and driving as one might expect, without sacrificing Berne’s trademark compositional complexity. Now if only he would do more live performances outside of New York City and Europe…
- Pelican - March Into the Sea
This post-metal band, second only to Isis in my estimation, has a weird habit of releasing absolutely brilliant EPs followed by somewhat disappointing full-length albums. Such was the case in 2005; March Into the Sea consists of a brilliant 20-minute title epic that is my favorite song the band has yet recorded. Unfortunately, the full-length album that followed a few months later seems mostly uninspired in comparison.
- Painkiller - 50th Birthday Celebration Volume 12
While the Bar Kokhba set listed above is charming and lyrical, this entry in the Tzadik 50th Birthday series is mean and ugly. Painkiller was always Zorn at his skronkiest, but here the noise factor is actually toned down quite a bit thanks to Hamid Drake’s drumming that actually, dare I say it, swings at times. And as it turns out, a kinder, gentler Painkiller is a better, more listenable Painkiller. Still seriously aggro, but no longer annoyingly so.
- Frank Zappa - Imaginary Diseases
I don’t count myself as a huge Zappa fan, but I’ve always loved Waka/Jawaka and The Grand Wazoo as much as any diehard FZ fanboy. This album, a live performance from that same period, is a treasure for folks like me who like Zappa’s big-band material and wish there were more than just a couple official releases of the stuff. Long-expected and well worth the wait!
- Present - A Great Inhumane Adventure
This one makes it onto my list almost entirely thanks to the rendition of “Promenade au Fond d’un Canal,” which attacks the listener with all the ferocity and subtlety of a tyrannosaurus rex. Present can get pretty dark and eeevil, but this is just might be the most deliciously violent they’ve ever been on record. I wonder if there are any survivors from the live show where this was recorded. Are they all brain-dead by now?
This one was tough, because while I love all these albums, none of them really stands out and the order seems almost interchangeable. I also had a hard time with OV — it’s an incredible work, but hard to figure out where it goes on a list of favorites because it’s simply not something I’d want to listen to every day (or week, or month for that matter).
And a bunch of honorable mentions in alphabetical order: Scott Amendola Band’s Believe, Banco’s Seguendo le Tracce, John Coltrane’s One Down, One Up: Live at the Half Note, The Decemberists‘ Picaresque, Earth’s Hex; or Printing in the Infernal Method, Electric Masada’s At the Mountains of Madness, Ephel Duath’s Pain Necessary to Know, Satoko Fujii’s Angelona, Guapo’s Black Oni, Indukti’s S.U.S.A.R., Koenjihyakkei’s Angherr Shisspa, Konono No. 1’s Congotronics, Jérôme Langlois‘ Molignak, Miasma & the Carousel of Headless Horses‘ Perils, Nil’s Nil Novo Sub Sole, Opeth’s Ghost Reveries, Rova::Orkestrova’s Electric Ascension, The Vandermark 5’s The Color of Memory, and Wilco’s Kicking Television: Live in Chicago.
Obviously, it was a pretty good year for me. Nothing completely jaw-dropping like the top four or five albums from 2004, but a really, really large group of very good releases (and admittedly, comparing any year to 2004 is a little unfair, given how amazing that year was). Any one of those albums on my honorable mention list would probably crack my top 10 at some point in time, given my mood, emotions, time of day, whatever. It’s odd, and surprising, that three of my top ten albums are archival releases, but regardless, there was plenty of excellent music to go around in 2005.
Thursday, December 15th, 2005
It’s past time for my latest best-of-year list. I’ve been procrastinating a bit, see, because 2004 was such an amazingly brilliant year for new music that I would have a hard time making a top-20 list, much less my customary top 10. Nevertheless, here’s my best shot. For the newer readers, note that this is a best of 2004, not 2005 — the extra year allows for a bit more perspective as well as a chance to catch up on releases that passed me by originally.
- Isis - Panopticon
I think I might be biased in favor of this one since it was my first real encounter with this kind of post-rock/metal hybrid. Nevertheless, Panopticon is epic, sweeping, majestic, and absolutely gorgeous: all while being balls-to-the-wall heavy. That’s quite an accomplishment in my book.
- Magma - K.A
When I first heard this, I couldn’t believe how good it was. Now, after having heard some live recordings of Magma from the past few years, I have no trouble believing it. These guys still have it — incredibly, after 35 years they really are still at the top of their game. An instant zeuhl classic, made even better by the fact that it boasts easily the best production and sound quality of any Magma album ever.
- Sleepytime Gorilla Museum - Of Natural History
One of the most promising new bands out there, and if their live shows are any indication, even an album as coherent and powerful as this one doesn’t come close to fulfilling that promise. No sophomore slump here — Of Natural History, especially its first half, pretty much blows me away — but I’d wager that the best is yet to come from these guys.
- Electric Masada - 50th Birthday Celebration Volume 4
This is the record that spurred my tentative exploration of John Zorn-related projects into a frenzy. Dense and intense fusion in the best sense of the term; like Bitches Brew-era Miles that rocks harder and sounds, well, a lot more Jewish. My review hypes it up a bit more than is necessary, but this is still a sterling release and a must for fusion fans.
- Zu & Spaceways Inc. - Radiale
Combine the brutal intensity of Italian free-jazzers Zu and the funky inclinations of Ken Vandermark’s Spaceways Inc., and the result is… one of the best albums of 2004. The first half features some wickedly heavy fuzz bass that would do any upstart zeuhl band proud; the second half opens things up a bit and has some killer covers of Funkadelic and Sun Ra. I prefer the less claustrophic and funkier latter half, but both are fantastic in their own right.
- Guapo - Five Suns
I’m a bit off on my review of this one, harping a bit too much on Guapo’s overt Magma influences. True, those influences are there, but man do they know how to use those influences to make something pretty stellar. The 45-minute titular suite is a hard-driving, nonstop instrumental beat-down that’s hurt only by the fact that it’s front-loaded, opening with its best and most creative 5 minutes.
- Kruzenshtern & Parohod - Songs
Where the hell did these guys come from? Wild punk-jazz klezmer, with an upbeat melodic sense tempered with a healthy penchant for all-out noise. And vocals that you’ll find either annoying as hell or unbelievably hilarious (I love ‘em). Definitely the most unique item on this list; I hope there will be a follow-up coming soon.
- Tanakh - Dieu Deuil
Smoky indie-rock featuring some of the most haunting, beautiful melodies of the year. Jesse Poe’s lyrics and rich vocals combine with many interesting, slow-paced instrumental interludes to make one of the more distinctive indie-rock efforts I’ve heard recently. One of those records that transports you into a different world while you’re listening.
- Thinking Plague - Upon Both Your Houses
This live recording from NEARfest 2000 is essential for fans of this contemporary American RIO band, mostly for its hard-edged, focused takes on tracks like “Warheads” and “Kingdom Come.” This is a rare, valuable document of a top band in top form, and one that rarely performs live.
- Mastodon - Leviathan
I really think I prefer the thrashier, dirtier Remission, but for some reason I keep coming back to this one. If “progressive metal” didn’t mean “symphonic prog with cheesily heavy guitars and even cheesier squealing vocalists,” Mastodon would be the ultimate progressive metal band. Instead, they’re just a kick-ass metal band with lots of proggy tendencies, and nowhere are those tendencies more evident than on this album.
This list, more than any other best-of-year list I’ve done, is likely to change practically daily. Any number of albums could pop into the top 10. Just a few honorable mentions, as I browse my alphabetically-ordered list: Amarok’s Quentadharkën, Tim Berne’s Acoustic and Electric Hard Cell Live, Anthony Curtis‘ Book of the Key, The Decemberists‘ The Tain, The Dillinger Escape Plan’s Miss Machine, El-P’s High Water, Faun Fables‘ Family Album, Satoko Fujii’s Zephyros, Receptor Sight’s Cycles and Connections, Univers Zero’s Implosion, Wilco’s A Ghost is Born…
The list could go on, but I think I’ve made my point. And the really shocking thing? The really shocking thing is that 2005 hasn’t been a disappointment after the awesomeness of 2004. Probably not quite as strong overall, but there’s been some amazing music released this year as well. Over at Pitchfork, in his review of Koenjihyakkei’s new Angherr Shisspa, ex-Ground and Sky reviewer Dominique Leone makes the bold claim that “In 2005, rock-based progressive music is bubbling below the surface with almost as much vigor as it did in the late 60s, just before it hit the pop charts in the early 70s during the heyday of Yes and ELP.” Based on the above list and my projected list for 2005, I’d have to agree. It’s a good time to be a fan of progressive music (with a lowercase, not a capital, P).
Note: you can also see my continually-updated top 10 lists from 1997 through 2005.
Friday, December 3rd, 2004
It’s about that time: my Top Ten of last year (2003, not 2004). It was a pretty good year, but mostly because there were a lot of pretty good albums released. There were none that really blew me away, but I had a hard time narrowing my list down to ten (much less putting it in some kind of order that I’m satisfied with) because there were so many great-but-not-transcendent releases. In any case, here’s my stab at it.
- Alamaailman Vasarat - Käärmelautakunta
While this album didn’t initially strike me as a huge step forward from AV’s debut album, it has steadily grown on me to the point that it’s easily my favorite from 2003. The band mixes moods and tempos to wonderful effect, and really hammers out a unique niche. What other band blends klezmer, metal, jazz, folk, and rock? What other band makes that not only seem natural, but fun?
- A Perfect Circle - Thirteenth Step
This was a real pleasant surprise. I like this one better than any Tool album - it’s dark, well-paced, heavy when heavy is called for, and very much a unified whole that’s greater than any of its parts. A great alternative rock album (with its fair share of proggy touches) at a time when “alternative” is a synonym for “stale.”
- Anti-Pop Consortium - Anti-Pop Consortium Vs. Matthew Shipp
A more effective meshing of jazz and hip-hop does not yet exist. And it’s just our luck that two of the most cutting-edge artists in either genre chose to work together. The only negative is that this was Anti-Pop’s last recorded output - making it little more than a teasing glance at what could have been.
- The Postal Service - Give Up
Probably the most purely poppy album we’ve reviewed here, but damn is it good. This duo of electronica wizard and emo vocalist has become the indie-rock darling of the moment, achieving success and even a deal with the real U.S. Postal Service. Heart-wrenching melodies and masterful production.
- Spring Heel Jack - Live
Another electronica duo, but of an entirely different stripe; on this album, Spring Heel Jack collaborate with a free-jazz band featuring Matthew Shipp among others. The result is alternately a relaxing ambient soundscape and a monstrous beast on a violent rampage. One of the best - and certainly the most raw - electronica/jazz meshings I’ve yet heard.
- Explosions in the Sky - The Earth is Not a Cold Dead Place
With this album, Texas’ premiere post-rock band finds peace. This is a surprisingly upbeat, pleasant, quietly hopeful work that offers the first glimpse at a brand of post-rock that isn’t all doom and gloom. Melodic and enchanting.
- Outkast - Speakerboxxx
The first half of Outkast’s double album is utter brilliance - innovative and fun hip-hop. The second half, The Love Below, is more experimental but far less coherent, to the point of seemingly kind of stiffly stupid at times. But the whole thing is well worth it for Speakerboxxx’s irrepressible energy.
- Do Make Say Think - Winter Hymn Country Hymn Secret Hymn
These guys just keep getting better. Probably the loosest and jazziest of the big-name post-rock bands, DMST are close to transcending the genre altogether. Their latest effort is lovely and entrancing, but not afraid to go for the jugular when the time is right.
- Sufjan Stevens - Greetings from Michigan: The Great Lakes State
Perhaps the most purely beautiful album on this list. This album is a heartfelt paean to Stevens’ home state of Michigan and runs the musical gamut from twisted Glassian minimalism to folksy solo banjo strumming, all of it anchored by Stevens’ arresting vocals.
- The Silver Mt. Zion Orchestra… - “This is Our Punk Rock”…
I have been getting skeptical of these guys, especially as Godspeed You Black Emperor! seems to be running in place, but they really came through with this one. It’s still the same melodramatically bleak, gloomy, spacious post-rock as before, but so well done that it can’t be faulted.
So what missed the cut? A bunch of albums that could have been swapped in pretty easily, depending on my mood, for the last few on the list above: Mogwai’s Happy Songs for Happy People, The Decemberists‘ Her Majesty the Decemberists, Azigza’s Kriya, Death Cab for Cutie’s Transatlanticism, Sunn O)))’s White1, the Non-Prophets‘ Hope, Dissection’s Live Legacy, Matmos‘ The Civil War, Bone Structure by Bendian/Liebig/Gunther/Stinson… the list goes on and on. It was a good year, but again, nothing that really seemed absolutely timeless.
One thing that jumps out at me is how little of my list would be considered “prog” by most folks. I do have a fair amount of albums from 2003 that are prog, but few of them really hit me. I’ve known for a while that my tastes are shifting, but it’s interesting to see it happen so dramatically. Although, interestingly enough, quite a few of my favorite albums from 2004 thus far would fall under the prog category, so who knows.
Wednesday, February 25th, 2004
So, as anyone who reads this blog on a fairly consistent basis (insofar as it’s consistently updated, at least) knows, I do my best-of-year lists a year after the fact to correct for a number of errors, most obviously the fact that I can’t possibly hear or buy all the great albums released in a year all that quickly. The folks over at The Turntable - the blog associated with Stylus - do a similar cool thing, which is go back and draw up a new “best of year” list a year after the fact, and compare it with their old lists. The differences are interesting at least. So here: I’ll do the same thing - here is my Best of 2001 as I would have it today. Note that I made this up without looking back at the original Best of 2001 list I posted in December of 2002.
- Present - High Infidelity
- The Dismemberment Plan - Change
- Magma - Theusz Hamtaakh Trilogie
- Mogwai - Rock Action
- Miles Davis - Live at the Fillmore East: It’s About That Time
- Sleepytime Gorilla Museum - Grand Opening and Closing
- The Beta Band - Hot Shots II
- Green Carnation - Light of Day, Day of Darkness
- Outkast - Stankonia
- Satoko Fujii Quartet - Vulcan
Some other great albums released in 2001: Femi Kuti’s Fight to Win, System of a Down’s Toxicity, Djam Karet’s Ascension, Explosions in the Sky’s Those Who Tell the Truth…, Avant Garden’s Maelstrom, Bob Drake’s The Skull Mailbox, Cannibal Ox’s The Cold Vein, and John Coltrane’s The Olatunji Concert. Whew. It was a good year, apparently. Oh, and the best surprise of the year was Dream Theater’s Live Scenes From New York, which was actually really good - light-years better than their previous live album (though that’s damning with faint praise, I suppose). The Coup’s Party Music was pretty good, but a little disappointing.
You may note that Krakatoa’s Togetherness disappeared from my list (from #4 originally). I still think it’s a great album, but I just haven’t been inclined to pull it out very often for the past couple years. Same goes for their other albums, including the newer one on Cuneiform, which never really grabbed me that well in the first place. Hmm.
Also, High Infidelity took a huge leap from #7 to #1, and after peeking back at the archives, four of the ten items on the list above were not on the old one at all. Still, the top few more or less remained constant, which is cool.
Saturday, December 6th, 2003
Alright, so people on other forums are starting to post their Top 10 lists for 2003, which means it’s about time for me to post my Top 10 list for 2002. I started doing this last year - I think top 10 lists for the current year are dumb, because (1) the year’s not over yet, (2) there’s no way I already have many of the great releases from this year yet, and (3) a lot of great CDs have long gestation periods before I really start to like them (I’m looking at the new Thinking Plague here).
Without further ado, my top 10 favorite releases (not limited to prog, as will become obvious) of 2002 are as follows, in some kind of rough order:
- Wilco - Yankee Hotel Foxtrot
I’m one with the indie critics here: this was the best album of the year. When I reviewed it I was taken by its meshing of catchy melodies with slightly skewed instrumental tendencies, and its charm has yet to falter. Anyone interested in somewhat “out” pop-indie should check this out.
- Anti-Pop Consortium - Arrhythmia
The biggest shame of 2002 was the dissolution of this group, one of the most innovative rap groups of the past decade. Arrhythmia has all the usual Anti-Pop trimmings: dazzling, abstract wordplay, production from an alien planet, and even some killer beats. For the cutting edge of hip-hop, look no further.
- 5uu’s - Abandonship
This one made a huge splash in the prog/RIO world, and with good reason, marking a triumphant return to Hunger’s Teeth form. Best prog album of the year, easily.
- Shalabi Effect - The Trial of St-Orange
This was the pleasant surprise of the year for me; I didn’t expect to like this kind of abstract psychedelia so much, but these guys are good enough at what they do that they make it accessible to anyone. There are some amazing moments of beauty swimming around the ambient haze here.
- NeBeLNeST - Nova Express
Grandly portentous instrumental prog, full of imposing riffs and sinister, rumbling bass: epic “space-zeuhl” at its best. The closing title track on this album is simply a treat.
- Satoko Fujii and Tatsuya Yoshida - Toh-Kichi
This is just about as weird and whimsical as you might expect from the pairing of Yoshida with a free-jazz pianist (in an improv setting no less), and amazingly, it works. By turns stunning, amusing, and fucking hilarious.
- Do Make Say Think - & Yet & Yet
In a year with a dearth of good new post-rock, this album was a saving grace. Jazzy, atmospheric instrumental noodling that never gets too unfocused and yet always takes its sweet time getting to the point. Luckily, the journey is an enticing one.
- The Flying Luttenbachers - Infection and Decline
Okay, I admit it: this one is on the list solely for the utterly blazing cover of “De Futura” (from Magma’s Üdü Wüdü), which takes the funk out of the equation and replaces it with pure, unmitigated aggression. The original pieces here are also capable of blowing your head off.
- Opeth - Deliverance
Many a fan of this group panned this album, and indeed it offers little variation on a well-established formula. But for me, it perfects said formula, mixing perfectly its death-metal aggression and vocals with more leisurely (and accessibly melodic) passages. This actually might be my favorite Opeth album.
- The Roots - Phrenology
This one’s just a lot of fun. Perfectly accessibly hip-hop with just a touch of experimental tendencies, particularly on the track “Water”, which has been called “prog-hop”. More importantly, this thing grooves, and has some great melodies to boot.
Barely missing the cut were Beck’s Sea Change, Missy Elliott’s Under Construction, Broken Social Scene’s You Forgot It In People, Uzva’s Niittoaika, and even Paatos‘ Timeloss (solely on the strength of its closing track). Some mildly surprising omissions include ( ) by Sigur Rós, which simply didn’t have the staying power I expected it to have, and Univers Zero’s Rhythmix, which I liked at first but really pales in comparison to the band’s older work, IMHO.
Overall, despite everything I just wrote, I think 2002 was a pretty disappointing year. There are a lot of pretty good albums listed above, but only the top few on the list really blew me away. As preliminary as it is, I can already say that 2003 has been a much better year for music.