Posts Tagged ‘Earth’

Yoshi’s and Amoeba Music, Oh My!

Thursday, April 2nd, 2009

Aquarius Records

A few weeks ago I was in San Francisco, in part to visit an old friend, in part to see a few shows of John Zorn’s 6-night residency at Yoshi’s. I wrote all about the concerts I saw over at the City Paper, but the brief summary is: Bar Kokhba: wow!; The Dreamers: meh; Electric Masada: holy shit my life is complete. Also: Yoshi’s is a pretty sweet place to see jazz. A little swanky for my tastes, but the one-item minimum is quite reasonable (much better than, say, the $10 minimum at fucking Blues Alley here in DC) and the sushi is totally amazing. Also, for the last Electric Masada set I had fantastic seats up in the balcony, dead center, perfect view of everything.

I also stumbled into Aquarius Records - I am on their mailing list but kind of forgot they’re in SF, and was wandering around my friend’s neighborhood when we came across it. What a great store. As in the pic above, they have these hand-printed reviews taped onto every single CD they sell in the store. Really, every single one. Very obvious that the people who work here love their music. Props!

And, of course, I went to Amoeba Music, which is a very very dangerous place for me, and I walked out with…

  • Æthenor - Faking Gold and Murder
  • Bozulich, Carla - Red Headed Stranger
  • Claudia Quintet, The - Semi-Formal
  • Coleman, Ornette - Free Jazz
  • Coltrane, John - Sun Ship
  • Coltrane, John - Live in Japan (4 CDs)
  • Coup, The - Kill My Landlord
  • Crow, Sheryl - Detours
  • Dresden Dolls, The - The Dresden Dolls
  • Earth - Live Europe 2006
  • Faun Fables - The Transit Rider
  • Flying Luttenbachers, The - Cataclysm
  • Full Blast - Black Hole/Live at Tampere (2 CDs)
  • Geraldine Fibbers, The - Butch
  • Healing Force - The Songs of Albert Ayler
  • Leng Tch’e - ManMadePredator
  • Leng Tch’e - The Process of Elimination
  • Leng Tch’e - Marasmus
  • Ligeti, György - The Ligeti Project II
  • Jarrett, Keith - Radiance (2 CDs)
  • Jewel - Goodbye Alice in Wonderland
  • Schoenberg/Sibelius - Violin Concertos (Hilary Hahn)
  • Tarentel - Live Edits: Italy/Switzerland
  • Xenakis, Iannis - Ensemble Music 2

Seriously, what a fantastic store. I got almost all of those used and cheap. I don’t even know what that Earth album is - it’s an official live album on Southern Lord, but it’s apparently out of print and a Google search turns up very little information. I’ve listened to it once so far and it seems pretty solid. Nothing transcendent but a pretty accurate representation of Earth live. I still want to track down a copy of Live Hex though…

Great show: Earth & Kayo Dot

Monday, May 5th, 2008

Okay, sorry for the major delays in updates both in the site proper and this blog. I’m going to try something here. In 2008, I’ve been focusing a lot on my photography, and doing a lot of live music photography in particular. I’ve started a photography blog, and will be cross-posting concert reviews, with photography notes, at that blog and this one. So at this blog I’ll continue posting my usual ramblings, as well as concert reviews, but the concert reviews will now include more photographs and a few paragraphs of photo-geek stuff that you can safely skip over if you’re just in it for the music. We’ll see how this works. Not that the photos will usually look better at the photography blog thanks to the black background there. Anyway, here’s my first shot at it — a review of a great show I saw last night, Earth and Kayo Dot. Sunday night metal.

Earth 9

“Metal” is stretching it a bit, but both of the touring bands I saw last night at Rock & Roll Hotel, Earth and Kayo Dot, have their roots in it - the former in their classic drone-metal albums of the early 90s, the latter in their evolution out of avant/prog-metal group Maudlin of the Well. Still, this was about as different from Saturday’s prog-metal (when I saw Symphony X and Epica, review to come) as it could get. Earth plays glacially slow, crushingly loud instrumental music that, were it not for the volume and subtle drone tendencies, could almost be called doomy country & western. Kayo Dot is pretty much uncategorizable, straddling some invisible line between rock and rigorously composed modern classical music. The opener, Stymphalian Birds, was a solo noise/drone act that was surprisingly quite excellent. Needless to say, there was no symphonic metal bombast going on here, no drunken screaming fans, no call-and-response fist-pumping.

Earth was who I’d come for and they did not disappoint. The touring version of this band is a four-piece of guitar, bass, drums, and keys/trombone (trombone very sparingly used on one song only). They played almost exclusively stuff from the new album, The Bees Made Honey in the Lion’s Skull, which was fine by me as I think the album is pretty excellent. Live, their music sounded pretty much identical to the album versions, with one key difference: sheer volume. This stuff, when heard at bone-rattling loudness levels, becomes even more doomy and impactful than on record. Yet it still retains its beauty, with slow, repetitive melodies shining through wonderfully. It was also impressive to watch these guys play so damn slowly - drummer Adrienne Davies (pictured below) especially. I’m sure it takes massive concentration to play these songs, where sometimes there was a full second or even more between individual beats, and they pulled it off easily.

Earth 6

I’ve never been a huge fan of Kayo Dot (sorry Aaron). I always get the feeling that much of their material is going straight over my head - lots of abstractness and subtlety when I am longing for more intensity. Live, they held my attention better than on record, and it was fun to see just how intricately composed some of the pieces are, with all the musicians either reading from their charts or watching bandleader Toby Driver (below) intently for cues. The majority of the set was very quiet and slow-moving, with a few heavier parts intermingled; calling this band “metal” at this point would be a total misnomer. The pleasant surprise was a stunningly lyrical guitar solo from Driver during the last song - not sure what song it was but it was gorgeous. By that point, it seemed like they had already completely lost some of the audience, though - a couple of the guys in the front row next to me looked noticeably impatient with the whole affair.

Kayo Dot 7

Photographically, this was a tough show to get anything exciting, between the mostly static performers and completely static lighting. At least there was enough light (barely), but it was patchy and strongly hued. This weekend, in fact, I had a first: I blew out the blue channel in several of my photos. I’m used to screwing up and blowing out red highlights, but blue is a new one for me. Still managed to get some decent shots, but nothing as dynamic as Saturday night’s show - which, all things considered, is hardly surprising. I shot wide open with my rented 17-55 again (boy was I sad to return it this morning), between 1600 and 3200 ISO, shutter speeds as high as 1/160 to preserve blue/red highlights, as low as 1/40 at times to try to get the performers who were standing deeper in shadow.

The nice thing about shooting at Rock & Roll Hotel is that, except at completely sold-out shows, it’s relatively easy to move around. I mostly shot from right in front of the stage, but during Earth’s set I moved to the side and slightly behind (which I how I got the headline shot of Dylan Carlson haloed by the spotlights up front). No problems like Saturday at Jaxx where I was pinned to one spot and not even in the front row.

One last Earth shot to close out this post… check out the full set at Flickr for more.

Day 125: Earth