Posts Tagged ‘Flower-Corsano Duo’

What’s spinning, February 12 edition

Friday, February 12th, 2010

Washington, DC got something close to 40 inches of snow over the past week. The whole city was shut down until today, and arguably should still be shut down. When I wasn’t out taking pictures, I was hanging out inside listening to music and doing some miscellaneous work. Here’s a sampling of what’s been playing:

  • Art Zoyd - Generation Sans Futur — Probably my favorite Art Zoyd album, although they released so many great albums that are all somewhat similar that this is kind of a tough call. The title track, augmented by Daniel Denis’ drumming, is an easy pick for an all-time favorite AZ composition.
  • Basta! - Cycles — Yeah, I’m pretty obsessed with this one, I’ve talked about it here before. Joris Vanvinckenroye + loop pedals = awesomeness. Definitely going to be somewhere high up on my best of 2009 list.
  • Birds of Prey - The Hellpreacher — Here’s another one I discussed earlier. Super simple, catchy death metal - not normally my thing but for some reason this one keeps finding its way back to the playlist.
  • Flower-Corsano Duo - The Chocolate Cities — A live tour EP from this free-improv duo of drums and shahi baaja. If anything, parts of this are even more intense than their excellent studio recording, but there are some really nice quieter bits as well. Thanks to Andrew McCarry for the heads-up on this one.
  • Gaza - He Is Never Coming Back — Some people are saying this one’s a disappointment after the groundbreaking I Don’t Care Where I Go When I Die. It might be a little less overtly experimental, but make no mistake: this band is still kicking ass and taking names, mixing the manic feel of grindcore with the heavy, dirty sludge of doom metal to awesome effect. I am SUPER pissed that their tour with Converge is not coming anywhere near DC - the closest date is in North Carolina, and that one’s during Maryland Deathfest.
  • Margot MacDonald - Live at the Kennedy Center — This is actually a video available online. Margot is an 18-year-old rock musician whom I first heard a couple years ago and was impressed by her powerful voice. She’s only gotten better and there are some real highlights in this live performance, most notably an acoustic cover of Led Zeppelin’s “Immgrant Song,” a loop-pedal extravaganza at the end, and several new compositions that she has featured on her YouTube page.
  • Pree - A Chopping Block — Saw these folks at the Kennedy Center a few weeks ago (video here) and liked them enough to pick this up; after several listens, I really like them. It’s low-key indie-rock with wonderfully subtle orchestrations and May Tabol’s offbeat, caterwauling vocals that will probably turn a lot of people off but that I seem to be a bit of a sucker for.
  • Those Darlins - Those Darlins — High-energy country music? This wouldn’t normally be my thing but after seeing this trio of women (plus a male drummer who gets completely neglected in all their press) tear it up live with true punk-rock zeitgeist, I’m hooked. I don’t think there’s anything on this list that’s quite as much pure fun as this stuff.
  • The Tiptons Sax Quartet - Laws of Motion — Beautiful, beautiful sax quartet plus drums material - runs the gamut from straight-ahead jazz to world music of many kinds. There’s not much in the way of out-three free improv or pure avant-garde a la Rova, but Amy Denio’s bizarre vocals definitely up the weird quotient to pretty delightful levels.
  • Wildbirds & Peacedrums - The Snake — Speaking of unique, powerful female vox (MacDonald, Denio, Tabol), this band basically exists to show off some sick tribal drumming and Mariam Wallentin’s amazing voice. Wallentin ably carries this record, the duo’s second, and she’s even better live. She often seems to be right on the edge of oversinging, but always seems to rein it in at the last second for some truly memorable tension-and-release type moments.

What’s spinning, March 30 edition

Monday, March 30th, 2009
  • Agoraphobic Nosebleed - Agorapocalypse Now — The new ANb record is going to piss off a lot of old fans: for starters, there are only 13 songs, and two-thirds of them clock in at over 2 minutes. What’s more, the music actually grooves in places, and there’s a female vocalist (growling and screaming; don’t worry, this is no goth-metal band). I think it rocks and it’s already my favorite ANb that I’ve heard… we’ll see how the diehards react.
  • Arnold Schoenberg/Hilary Hahn - Violin Concerto — I wasn’t familiar with Schoenberg’s violin concerto, and this is my first listen to Baltimore’s favorite violinist. My first impressions on both counts: very favorable.
  • Decoder Ring - Fractions — Really pleasant record from this Australian post-rock/electronic band. Lenka Kripac’s ethereal vocals add a ton, and the end result is a moody slab of chilled-out music that has a couple nice surprises up its sleeve.
  • Flower-Corsano Duo - The Four Aims — 50 minutes of free improvisation, a duo of drums/percussion and shahi baaja, a kind of Indian electric mandolin. I wrote a few paragraphs about this one over at the City Paper.
  • Kylesa - Static Tensions — Savannah, Georgia might seem an odd place for a fucking awesome metal band to emerge, but Kylesa are just that, and their latest album is their best yet. On some of these songs (like the absolutely awesome “Running Red”), they sound a bit like Mastodon does now, only heavier and… better.
  • Mastodon - Crack the Skye — Speaking of Mastodon, I just don’t like their new direction. Crack the Skye is a definitely step up from Blood Mountain, but that just means I find most of it boring instead of tasteless.
  • Napalm Death - Time Waits For No Slave — You know, I never really got that much into Napalm Death’s classic stuff. But this new album totally grabbed me. It’s weirdly hooky and groovy, as far as grindcore goes. In that sense it’s kind of like the new ANb: a pretty great, quite accessible surprise.
  • The BBC - WFMU Studios 9/14/2008Tim Berne, Nels Cline and Jim Black as a trio! Berne and Black play with the chemistry you’d expect, but Cline integrates himself quite nicely indeed. This recording, from a live radio session, is incendiary and entertaining, and the interview segment is amusing as hell. This trio is doing a couple shows in Australia soon; here’s hoping they do some shows in the U.S. soon.
  • The Coup - Kill My Landlord — I’ve been looking for this sucker for years, and it’s finally back in print. This is from the early period of the group, along the same lines as Genocide & Juice, which is far and away my favorite album by The Coup. It doesn’t disappoint. This stuff is way better than the more recent releases like Pick a Bigger Weapon and the hugely disappointing Party Music.
  • The Decemberists - The Hazards of Love — Jury’s still out on this one. Definitely a concept album that has to be listened to from start to finish. Only a couple songs really reached out and grabbed me after a couple listens, but I’m willing to put some effort into this one so we’ll see how it pans out for me.