Posts Tagged ‘Kevin Drumm’

Great reissues from 2007

Wednesday, January 2nd, 2008

Happy New Year dear reader! Although I obviously won’t be doing a best of 2007 list just yet, I figure one thing I can do is talk about a few 2007 reissues I thought were great — since I don’t include reissues in my best-of-year lists. I don’t really follow reissues the same way I do new releases, so this list is even more personal than some of my other ones, but anyway, here are some highlights.

Kevin Drumm’s Sheer Hellish Miasma is a 2002 noise recording, reissued this year with an extra track. This was a revelation for me — an electronic apocalypse from a guy I only knew at the time from a similarly cacophonous collobration with Weasel Walter (Flying Luttenbachers) and Fred Lonberg-Holm. Drumm is also active in the eai world, but this stuff is about as far as it gets from the so-quiet-you-can-barely-hear-it end of that genre: though arguably minimalistic, the noise on this record is punishingly brutal. And oh so fucking awesome. Might review this one in the near future; the one thing stopping me is a total lack of reference points or vocabulary to talk about it.

Baby Grandmothersself-titled release — technically this is an archival release and not a reissue, since this stuff was never actually published as far as I know. As far as early Swedish psych-rock goes, this is some of the best I’ve heard. Read my review for more.

I got John Coltrane’s Live in ‘60, ‘61 and ‘65 DVD for Christmas, which was a few days after Oscar Peterson’s death. Peterson is featured on a song or two from the 1961 session here, and I thought it a fitting tribute to get to enjoy footage of one of his inimitable solos. Also it was neat to see Reggie Workman, a bassist whom I have seen perform a few times in the Baltimore/DC area in recent years, playing 45+ years ago yet looking strikingly similar to how he does now. Otherwise, the highlight of the set is a 1965 performance of “My Favorite Things” that stretches for nearly half an hour and reaches some dizzying heights.

Peter Brötzmann’s Complete Machine Gun Sessions is a very nice reissue package of a classic free-jazz blowout. The only problem is that the original “Machine Gun” is so intense and draining that I can barely stand to listen to anything more along the same lines after sitting through it once. I’ve taken to listening to the bonus tracks separately from the original, which seems to work okay. Sometimes I’m a bit of a wimp.

Finally, one that I have, but haven’t actually gotten around to, is Sun Ra’s Strange Strings, which is getting raves from many corners of the Internet, and not just the dark corners populated by crazies. This is an album where the whole Arkestra plays string instruments, which kind of sounds like a downright frightening prospect to me, but what do I know? I haven’t listened to it yet.

What’s spinning, April 25 edition

Wednesday, April 25th, 2007

The past two months have seen an unprecedented amount of new music cross my path. Here’s what I’ve been listening to lately…

  • Aethenor - Deep In Ocean Sunk the Lamp of Light — Dark ambient stuff by members of Sunn O))) and Guapo (now there’s an inspired combination!). Not surprisingly, this is very creepy stuff, utterly devoid of the structures of the two aforementioned bands.
  • Alamaailman Vasarat - Maahan — Their fourth album harkens back to their earlier material, namely the stuff before the collaboration with Tuomari Nurmio. For most fans, this is a good thing.
  • Michaël Attias - Credo — Very tuneful avant-jazz on Clean Feed. I am starting to really get in to this label, thanks to the prolific amount of material they have on eMusic.
  • Cato Salsa Experience and The Thing with Joe McPhee - Two Bands and a Legend — A free jazz group collaborates with a garage-rock band, and the result is nothing short of awesome. Seriously.
  • Cowboy Junkies - At the End of Paths Taken — Their umpteenth album is, well, kind of boring, despite a new emphasis on electric instruments and some aggressive instrumental passages.
  • Kevin Drumm - Sheer Hellish Miasma — I’m not a huge noise-rock fan, but this stuff is just brutal. Maybe the most balls-to-the-wall intense electronic music I’ve ever heard, this sure is one aptly titled album.
  • Earthless - Rhythms From a Cosmic Sky — Pretty great heavy space/psych-rock, the kind of thing that readers of the Aural Innovations site will go bananas for.
  • The Electrics - Live at Glenn Miller Café — A nice cross between structured avant-jazz and purely sound-based free improv.
  • Lane/Vandermark/Broo/Nilssen-Love - 4 Corners — I am getting seriously addicted to both Vandermark and Nilssen-Love these days, and this is one of the more immediately accessible collaborations of theirs that I’ve heard lately.
  • Loreena McKennitt - Nights at the Alhambra — Wonderful DVD/2CD set for fans of this Celtic/world musician. The CDs are probably redundant for those who own Live in Paris and Toronto, but the DVD is essential.
  • Nadja - Touched — Sludgy doom-metal that, in my opinion, puts Sunn O))) to shame. Maybe it’s just that this stuff is much more accessible and, dare I say it, almost tuneful.
  • (((Powerhouse Sound))) - Oslo/Chicago: Breaks — More Ken Vandermark; this band seems to be trying to go for the Spaceways Inc. avant-jazz/funk crown, but with more noise and more electronics. I dig it.
  • Runaway Totem - Esameron — Everyone’s favorite second-tier zeuhl band releases their new, well, second-tier zeuhl album. To be honest I find this stuff pretty damn annoying, although fans of their other material (or Amygdala’s album) might like it.
  • David Torn - Prezens — Tim Berne fans relax, this is definitely not the new Hard Cell album despite the lineup. More than anything else, this is like Cloud About Mercury, re-envisioned and updated for the 21st century.