La Otracina is a psychedelic/space-rock group from Brooklyn that played a show a few blocks from my house last Friday night, at a church/community center known as “La Casa.” It’s a fitting name for the space as this turned out to be pretty much a glorified house show, with very much a living-room feel. (The band brought their own PA because there wasn’t one onsite, and they brought their own lights as well, as the only house lights were plain incandescent bulbs hanging from the ceiling fan.)
While I am familiar with this band based solely on their recent release on Holy Mountain, Tonal Ellipse of the One, it appears that the band’s lineup has changed considerably since that recording, with new members on both bass and guitar; and their style has changed noticeably as well. Tonal Ellipse of the One is all long, sprawling, improv-heavy space rock; what the band played at this show (and what is present on their tour CD-R, The Risk of Gravitation), is more straightforward stoner-rock. It still rocked and there was definitely plenty of heavy instrumental psychedelic bliss, but there were also some vocal-heavy tunes with more traditional song structures.
For a house show that got basically zero local publicity (none that I saw, and I live a couple blocks from the venue and read all the local listings religiously), the crowd was actually pretty decent. There were a few titters when Adam, the drummer, very earnestly introduced one song as “Crystal Wizards of the Cosmic Weird,” but that shouldn’t surprise anyone. Also, if I recall correctly, that song kicked ass, with a straightforward vocal intro leading into one of the wilder jams they did all evening. All in all, a pretty excellent show; I enjoy La Otracina’s long-form spacey instrumental explorations more than their vocal tunes, but there was enough of the former to keep me happy.
Photography was challenging since, as mentioned, the band brought their own lights and the main light on the guitarist and bassist was your basic red-gelled flood. So, lots of black & white conversions for me. I managed to isolate the performers in some shots so you can’t tell they’re basically playing in a living room, but in others I didn’t try, and I actually kind of like the look, what with the long shadows on the walls and ceiling. Depending on my lens choice, I was at ISO 1600-3200 and generally keeping shutter speeds above 1/100.
Full set (10 photos) at Flickr.