I got a bunch of music-related books from my brother for Christmas: Improvisation: Its Nature and Practice in Music by Derek Bailey, A Love Supreme: The Story of John Coltrane’s Signature Album by Ashley Kahn, and (perhaps most excitingly) Music and the Creative Spirit by Lloyd Peterson. I’m about halfway through Bailey’s book and, after finding it a bit of a slow starter (the sections on improvisation in Indian music and flamenco are interesting, but coming as they do at the very beginning of the book, it was a little unclear to me how they fit into a larger thesis), am starting to get really engaged. I’ll have more comments once I’m done with the book, but the ideas that Bailey presents about the effect of formalized notation on the history of music are fascinating. There is also some interesting material about how the systematized version of improvisation present in “traditional” jazz essentially kills the improvisation’s vitality and capacity for progress — this is where the sections on Indian music and flamenco come in, as Bailey stresses in these sections that there is absolutely no way to learn improvisation “by the book” in the context of these musics, as opposed to in trad-jazz.
On another book-related note, a few months ago I read Lords of Chaos: The Bloody Rise of the Satanic Metal Underground by Michael Moynihan, but forgot to write anything about it here. In short, I found some of it a fun read, but it doesn’t read so much like a book about music as it does a true-crime kind of book. In fact, there’s a pretty disappointing lack of analysis about black metal itself, and instead the author chooses to talk endlessly about the twisted ideologies of the major players in the Norweigian black metal scene. I suppose the title should have warned me about that, but I was let down nevertheless. I guess I’m going to have to pick up a copy of Albert Mudrian’s Choosing Death: The Improbable History of Death Metal and Grindcore and hope that it does a better job of sating my appetite for intelligent commentary on the actual music being made in these extreme-metal scenes.