Posts Tagged ‘Orthrelm’
Monday, December 4th, 2006
Early December means best-of-last-year list time! Here’s what my Best of 2005 list looks like right now. (For those of you interested in ancient history, my best-of lists for 2004, 2003, 2002, and 2001 are also available in this space, along with explanations of why I delay these lists by a full year.)
- Bar Kokhba Sextet - 50th Birthday Celebration Volume 11
Even now, as I begin to tire of John Zorn and his millions of side projects, this outfit gets me excited every time. The sextet — guitar, violin, cello, bass, drums, percussion — lends a rich orchestration to Zorn’s tuneful Masada compositions. This bargain 3-disc set captures the group at the height of their powers, and boasts a sound that skillfully combines beauty and skronk.
- Charming Hostess - Punch
I guess technically this is an archival release, recorded in the late 1990s. However one categorizes it, it’s a worthy follow-up to the Charming Hostess big band’s Eat, and might even be better than that rather astonishing debut. Impossible to easily describe and also impossible to dislike.
- Orthrelm - OV
“Impossible to dislike” sure as hell doesn’t describe this one, though: it’s about as grating as can possibly imagined. I actually heard this in an independent record store — they put it on without knowing anything about it, and only lasted about three minutes before they had to change it. Imagine a metal record skipping continuously (for 45 minutes) in the middle of a particularly speedy riff, and you get the idea. The thing is, though, it’s genius — a kind of metal minimalism that’s hypnotic and affecting once you get over the initial shock of it all.
- Iron & Wine - Woman King
Sam Beam is a fantastic songwriter, but on previous Iron & Wine albums I’ve felt that the minimal arragements made his songs less exciting than they could be. This six-track EP ups the ante a bit with bigger production and more instrumentation, and to amazing effect. Combined with the (also very good) EP he did with Calexico, also in 2005, this was easily the best year yet for this excellent indie songwriter.
- Maneige - Live à L’Évêché
This archival release was my first exposure to this French Canadian symph group, and I wouldn’t be surprised if it remains a lasting favorite. I’ve yet to hear anything from these guys that I like as much as this album (though I haven’t disliked anything I’ve heard). Really beautiful melodies and a keen sense of orchestration, all done in a pretty tasteful way — if only Maneige had been the poster children of 70s symphonic rock and not, say, ELP!
- Tim Berne - Feign
I get the sneaking suspicion that any year this prolific avant-jazz saxophonist releases something new, he’ll make my top 10 list. Feign features Berne’s “Hard Cell” trio (piano/sax/drums) and is as energetic and driving as one might expect, without sacrificing Berne’s trademark compositional complexity. Now if only he would do more live performances outside of New York City and Europe…
- Pelican - March Into the Sea
This post-metal band, second only to Isis in my estimation, has a weird habit of releasing absolutely brilliant EPs followed by somewhat disappointing full-length albums. Such was the case in 2005; March Into the Sea consists of a brilliant 20-minute title epic that is my favorite song the band has yet recorded. Unfortunately, the full-length album that followed a few months later seems mostly uninspired in comparison.
- Painkiller - 50th Birthday Celebration Volume 12
While the Bar Kokhba set listed above is charming and lyrical, this entry in the Tzadik 50th Birthday series is mean and ugly. Painkiller was always Zorn at his skronkiest, but here the noise factor is actually toned down quite a bit thanks to Hamid Drake’s drumming that actually, dare I say it, swings at times. And as it turns out, a kinder, gentler Painkiller is a better, more listenable Painkiller. Still seriously aggro, but no longer annoyingly so.
- Frank Zappa - Imaginary Diseases
I don’t count myself as a huge Zappa fan, but I’ve always loved Waka/Jawaka and The Grand Wazoo as much as any diehard FZ fanboy. This album, a live performance from that same period, is a treasure for folks like me who like Zappa’s big-band material and wish there were more than just a couple official releases of the stuff. Long-expected and well worth the wait!
- Present - A Great Inhumane Adventure
This one makes it onto my list almost entirely thanks to the rendition of “Promenade au Fond d’un Canal,” which attacks the listener with all the ferocity and subtlety of a tyrannosaurus rex. Present can get pretty dark and eeevil, but this is just might be the most deliciously violent they’ve ever been on record. I wonder if there are any survivors from the live show where this was recorded. Are they all brain-dead by now?
This one was tough, because while I love all these albums, none of them really stands out and the order seems almost interchangeable. I also had a hard time with OV — it’s an incredible work, but hard to figure out where it goes on a list of favorites because it’s simply not something I’d want to listen to every day (or week, or month for that matter).
And a bunch of honorable mentions in alphabetical order: Scott Amendola Band’s Believe, Banco’s Seguendo le Tracce, John Coltrane’s One Down, One Up: Live at the Half Note, The Decemberists‘ Picaresque, Earth’s Hex; or Printing in the Infernal Method, Electric Masada’s At the Mountains of Madness, Ephel Duath’s Pain Necessary to Know, Satoko Fujii’s Angelona, Guapo’s Black Oni, Indukti’s S.U.S.A.R., Koenjihyakkei’s Angherr Shisspa, Konono No. 1’s Congotronics, Jérôme Langlois‘ Molignak, Miasma & the Carousel of Headless Horses‘ Perils, Nil’s Nil Novo Sub Sole, Opeth’s Ghost Reveries, Rova::Orkestrova’s Electric Ascension, The Vandermark 5’s The Color of Memory, and Wilco’s Kicking Television: Live in Chicago.
Obviously, it was a pretty good year for me. Nothing completely jaw-dropping like the top four or five albums from 2004, but a really, really large group of very good releases (and admittedly, comparing any year to 2004 is a little unfair, given how amazing that year was). Any one of those albums on my honorable mention list would probably crack my top 10 at some point in time, given my mood, emotions, time of day, whatever. It’s odd, and surprising, that three of my top ten albums are archival releases, but regardless, there was plenty of excellent music to go around in 2005.
Thursday, January 26th, 2006
Here’s a look at some of the interesting shows coming up in the DC area in the next few months. This post is as much for me as for anyone else, though folks in the area may find something they like. Note that I’ve omitted some obvious prog-centric shows, like Rick Wakeman, The Carl Palmer Band, Niacin, Mahavishnu Project, Spock’s Beard, etc., since I’m not personally interested in them.
- Alec K. Redfearn and the Eyesores at The Warehouse Nextdoor, January 27 — Hey, that’s tomorrow. I missed these guys the last time they were in DC, and still haven’t heard their album on Cuneiform, but I may well check them out in this venue anyway. Weirdly, this show is listed at the Warehouse website but not the Warehouse Nextdoor site, so I’ll have to call to confirm that it’s actually happening…
- The Vandermark 5 at Iota, February 3 — Nice; I didn’t even know these guys were on tour. One of my favorite contemporary avant-jazz ensembles. I’m seriously thinking about plonking down the cash for their 12-CD live box set; maybe I should actually go see them live before I make that call!
- Low at The Black Cat, February 4 — I haven’t heard any of these guys’ recent output, but I like what I do have (namely The Curtain Hits the Cast) and for $13, I might check out their live show.
- Nile at Jaxx, February 8 — They’re touring in support of Annihilation of the Wicked, one of metal fans’ highlights of 2005. I haven’t quite gotten into that record as much as many others, but maybe I’ll make it out to Springfield for this show to see what I’m missing.
- Formanek/Berne Quartet at An Die Musik (Baltimore), February 11 — Ever since I first got into saxophonist Tim Berne, I’ve been waiting for him to play a live date somewhere near me, with any one of his numerous bands. He plays incessantly, but generally only in the New York area. This is my first chance to see him (and with Tom Rainey, perhaps my favorite current jazz drummer)!
- The Wu-Tang Clan at The 9:30 Club, February 13 — I’d be interested in seeing these hip-hop godfathers, even if I find live hip-hop more miss than hit, but tickets are $50. No thanks. I’m not really surprised that they already sold out one set even at those prices, though.
- Flogging Molly at The 9:30 Club, February 22 — I used to be a big fan of these guys, but I’ve kind of tired of their Celtic-punk gimmick. I might go anyway, except for the fact that I just bought tickets for a vacation to Ecuador leaving on the 22nd. Next time, maybe.
- Belle & Sebastian at The 9:30 Club, March 5 & 6 — Both shows already sold out; wow. I saw these guys a couple years ago and it was a lot of fun, even if their live sound is pretty much exactly the same as their studio sound.
- Charming Hostess at Busboys & Poets, March 7 — The a cappella trio version of the band is going strong: three women singing Jewish and other folk-influenced stuff, with a unique feminist/leftish/something sort of bent. I’ll definitely be at this show; cool venue too.
- Mogwai at Sonar (Baltimore), March 7 — I wish they were coming closer to DC, and I wish they didn’t conflict with Charming Hostess. This being a weeknight I’ll probably opt for the closer show; maybe they’ll schedule a date closer to DC as the time nears. Sure hope so; when I saw them at the 9:30 a couple years ago, they were awesome.
- Orthrelm at Talking Head (Baltimore), March 16 — Given that OV is possibly my favorite record of 2005, and I can’t imagine how it could possibly be pulled off live, seeing Orthrelm is a must for me. But since they’re from DC, surely they’ll be playing closer than this sometime in the near future. Might wait til then.
- Grey Eye Glances at Jammin’ Java, March 18 — They rarely seem to play outside of New England, so I’m pretty excited that these folk-rockers will be coming down to Virginia again. I saw them in Boston, though sans Brett Kull (Echolyn, who along with Ray Weston has been an integral part of the band for a while now), and they were great. I’m there.
- The Gathering at Jaxx, March 19 — If I have it in me to trek out to suburban NOVA two nights in a row, this should be a fun show; melodic goth-metal band that I’ve reliably enjoyed since their mid-90s output. Apparently one of only 6 shows they’re playing in the U.S.
- Animal Collective at The Black Cat, March 21 — This avant-folk band has been getting rave reviews from people I respect, but I haven’t heard any of their stuff yet. If they’re as good as everyone says though, I’ll be at this show.
- Cyro Baptista at Lisner Auditorium, March 25 — I’ve only heard Baptista in the context of John Zorn-related projects (like Electric Masada, where he is a beast). Here he’s performing with his Beat the Donkey band, which the Lisner website describes as “hilarious fusion overload” with “all the impact of a Brazilian carnival.” How can I miss that?
- Green Carnation at Jaxx, March 29 — Well, I think these guys have been pretty lame since Light of Day, Day of Darkness, but they’re the kind of band that I bet would be pretty fun to see live. Might make it out to this one.
- Isis, Dälek and Zombi at The Black Cat, April 30 — WOW what a lineup! The band that released my favorite album of 2004, Panopticon; one of the most forward-looking, avant-garde hip-hop groups there is, who have collaborated with Faust in the past; and a group I haven’t heard yet that is most often compared to Goblin. This is easily the most-anticipated show on my list here. Can’t wait!
Also, Mono and Pelican are touring this summer along with who knows who else. Looks like this could be a strong year for live music. I think I may make more of an effort to go to shows than I have in the past, if I can afford to do so (and if I can convince some friends to join me for some of these).
Monday, June 6th, 2005
The prog review watch (I read a lot of music review sites, both prog and mainstream, and there are always some interesting articles to be found):
First and foremost, the latest review of Fantomas‘ Suspended Animation at Progarchives is hilarious. So hilarious I’m going to paste it, verbatim, into my blog. I think this is clearly a product of some crappy free Internet translation program. Here:
CD completely bizarre, very wild, nothing has linking with nothing, is a very crazy chunk, of pra not to practically understand nothing, few melodies and much doidêra. Good record only pra who wants to “zuar”, but if you want to tan a good music, nor try to hear. He does not give nor “to beat right head”. He only listens to kill the curiosity, is wild, crazy, maluco, it are of control. Patton, only sings there for 10ª band, and exactly thus, they are one 30 seconds only. This obtains to surpass Hendrix and Frank Zappa in madness even though! Completely insane!
The great thing about Progarchives is that, like the prog.net of old, the reviews appear to be completely unmoderated and thus offer up a great dose of humor on a regular basis. Now if only we could dig up good ol’ Dennis A. to start contributing. But I digress: here are some recent reviews of proggish albums on mainstream websites:
- Review of Bob Drake’s latest, The Shunned Country, at Stylus. I usually hate these kind of gimmick reviews, but this one is kind of funny.
- Review of Orthrelm’s forthcoming OV at Dusted. On the avant-progressive list, former G&S reviewer Dominique Leone says this, a single brutal 45-minute track, is killer. I need to hear it.
- Review of Jaga Jazzist’s What We Must at Almost Cool, one of my favorite personal review sites out there.
- An older, scathingly obnoxious review of Happy the Man’s The Muse Awakens at Popmatters. This review typifies the mainstream view of prog, I guess. Although I do really like the phrase “analog synthesizers that seem to be permanently set on Silly.”
- Feature article about The Vandermark 5’s 12-CD live set Alchemia at Dusted. This is a real nice piece.
- Feature article about V∞redoms, the band that arose from the ashes of Japan’s Boredoms, at Pitchfork. Not surprisingly, Dominique is the author, and it’s a good article.
There are a lot more that I’m forgetting, but those are just a few that caught my eye in the past few weeks. On the non-Internet front, the latest issue of The Wire has some interesting stuff, including a review of Zs‘ Karate Bump and a capsule review of the (relatively) new album by former Progweed reviewer (and frequent r.m.p. contributor) Alex Temple. Check out Alex’s website for more info on this. The free sampler CD that comes with this issue of The Wire also includes a track from John Surman’s Way Back When, recently released on Cuneiform, and a track that features the vocals of none other than Clodagh Simonds, known to prog fans as one of the voices of Mellow Candle!