Been a while. What have I been listening to?
The answer is, “not much.” My appetite for new music has taken a pretty steep nose-dive this year as I’ve immersed myself in photography. My appetite for live music has remained unchanged, though, or even increased a bit. But I haven’t bought all that much new music this year. That said, here’s what I’ve been enjoying recently…
- Anti-Pop Consortium - Fluorescent Black — Anything new from these guys is welcome; I was never all that taken by any of the side projects since their 2002 breakup (not counting the sublime Antipop Vs. Matthew Shipp). On initial listens, this sounds pretty great although perhaps not quite up to the lofty standards of Tragic Epilogue and Arrhythmia.
- Baroness - Blue Record — Just massive, massive praise for this one from metal critics. I’ve listened to it streaming on Myspace a couple times and don’t see it yet. Good stuff but hardly amazing. Red Album - which I loved - seemed more coherent and compelling to me, but perhaps this just needs more listens.
- Do Make Say Think - Other Truths — This on the other hand is fantastic. I’ve had one listen to a pre-release copy and it sounds like an absolute must-buy. Four long tracks in the classic DMST mold: laid-back, melodic, slightly repetitive post-rock that is somehow beautiful, sublime, and never boring.
- Echoes of Eternity - As Shadows Burn — Female-fronted melodic metal whom I first heard on tour with Unexpect; their first album was absolutely laughable, but this is actually pretty decent. Lots more substance here and Francine Boucher’s voice is integrated into the music instead of floating weirdly on top of it all. Still not anything I would call great, but a quantum leap forward from Forgotten Goddess, which is better left forgotten.
- The Faceless - Planetary Duality — Since this young tech-death band has attached itself to seemingly every major U.S. death metal tour of 2009, I’ve already seen them live three times this year. So I figured I’d pick up their record; it’s solid technical metal with a few standout tracks like the amazing “Xenochrist.” Soon enough they’ll be headlining their own tour.
- General Surgery - Corpus In Extremis: Analysing Necrocriticism — One of my new discoveries from Maryland Deathfest this year; this is a solid, if unspectacular, record full of slightly grindy gore/death metal. “Solid, if unspectacular” is more than enough to make General Surgery stand out from a sea of utterly mediocre goregrind bands.
- The National - Boxer — My main discovery from this year’s Virgin FreeFest. I love their laid-back, tastefully orchestrated take on indie-rock, and vocalist Matt Berninger’s deep croon suits them perfectly and sets them apart a bit.
- Om - God Is Good — As it turns out, Om without drummer Chris Hakius is still Om. Pretty solid album spiced up by the appearance of new instruments like tamboura, flute and, in an absolutely genius moment, Mellotron. Check out my review at the City Paper.
- Ra Ra Riot - The Rhumb Line — Melodic, slightly sappy indie-pop, helped by some excellent contributions from a cellist and violinist. Like Cloud Cult but with fewer awkward melodies and vocal lines; this is a really promising debut.
- Shpongle - Are You Shpongled? — This is hardly new, but I found myself spinning it on a long drive recently. Upbeat electronic music, kind of like if Ozric Tentacles just took the techno-ish parts of The Hidden Step or Waterfall Cities, and made a whole album out of them.
- Spunk - Kantarell — I’ve always found Spunk to be one of Maja Ratkje’s more accessible projects. This one is soundscapey, almost relaxing at times, with acoustic instruments peeking in through the electronics at refreshing intervals. I like to imagine that astronauts landing on an alien planet and turning on their radios might hear something like this.