Posts Tagged ‘Stinking Lizaveta’

The Sword at Rock & Roll Hotel… meh

Wednesday, May 21st, 2008

(Random note: you wouldn’t know it from this and my previous couple of show reviews — to say nothing of the Progressive Nation tour review I have coming up next week — but I have been seeing music other than metal recently. In fact, this week, I could have gone/could go to a great show every single night except last Sunday — Candlemass on Monday; Pattern is Movement yesterday; my housemate’s ex-housemate’s band tonight; either Adam Caine/Nick Lyons or Twin Earth tomorrow; A Silver Mt. Zion on Friday; Thee Maximalists on Saturday — but unfortunately I will be seeing none of them. I’ll use the time off from showgoing to post an overdue concert review.)

The Sword 4

Last Thursday: Rock and Roll Hotel. The headliners were The Sword, a mildly ridiculous and fairly straightforward stoner-ish metal outfit who sing about things that your average stereotypical nerdilicious prog fan might enjoy. Opening were Philly’s Stinking Lizaveta (also known in prog circles, partly because guitarist Yanni Papadopoulos has appeared with Thee Maximalists, I believe) and show-stealers Torche. The former went on first and played their trademark herky-jerky heavy instrumental prog, complete with weird time signatures and turn-on-a-dime riffing. They pretty much blew the crowd away, which surprised me. Last time I saw them was when they opened for Sleepytime Gorilla Museum at the Black Cat, and I was less than impressed. Their material seemed kind of sterile and contrived (”odd-time riff after odd-time riff,” I said in my review of that show, and little more). It definitely came off better this time, but still, I headed out for a break about halfway through the set and didn’t really feel like I missed all that much.

I’m ashamed to say I’m not familiar at all with Torche’s recorded output, but I knew there was a good chance they would be my favorite band of the night, just based on everything I’ve read about them over the past year or two. I was right. They fucking crushed. How to describe this show? The first half was accessible, heavy but melodic, nice stuff but nothing extraordinary. I suppose when people talk about this band and say things like “stoner pop” or “pop metal,” this is what they mean. It’s a skewed version of pop to be sure, but I dig it. But the second half of the show, they brought the noise. Honestly, I don’t remember much other than the last song, which was extended out to what was probably 10+ minutes but felt like twice that long. Howling feedback and white noise combined with brutal riffing: I was in a happy place. So was this guy:

Day 136: Torche 3

As for The Sword, pictured above… eh. Color me unmoved. Their records are entertaining enough, but for some reason in the live setting (maybe it had to do with followed the brain-frying performance that Torche gave), their songs seemed remarkably unremarkable. Middle-of-the-road, melodic metal, clean vocals, basic chunky riffs. The crowd was loving it; the show was sold out fergodsakes (seriously? a metal show in DC selling out?) and from where I was standing I couldn’t see anyone who wasn’t pumping a fist. But after photographing the first three songs, I quite happily retreated to my car, where Gaza’s I Don’t Care Where I Go When I Die awaited me in my CD player. Guess I just like my metal a little more extreme these days.

Photographic notes: the lighting was difficult for this show. Rock & Roll Hotel has some nice backlights above and behind the stage, but for some reason they almost never use the equally nice frontlights that they have. For all three bands I was at ISO 3200, wide open with a 50/1.8, struggling to keep my shutter speeds above 1/80. I really needed faster shutter speeds because all three of these bands were moving around a lot (those damn metal bands, they’re energetic and all). I was right up against the stage, too, with a packed crowd behind me, and the 50mm lens was a little too narrow — really could have used that 17-55 I had a couple weeks ago.

Finally, one unusual thing was that The Sword requested that we (myself, a guy shooting for spin.com one other dude) only shoot the first three songs. There was also a “no flash” sign on the door, making this the first “three songs, no flash” concert in a small, no photo pit venue that I’ve ever done. Thought that was unusual, but wasn’t a problem. My photos of The Sword weren’t great, but I don’t think shooting for more than the first three songs would have gotten me anything much better. The conditions just weren’t ideal for the equipment I had (or my limited talent, I suppose).

Full set is at Flickr. I’ll leave you with a shot of Stinking Lizaveta:

Stinking Lizaveta 3

Sleepytime Gorilla Museum live: I finally got it.

Wednesday, June 6th, 2007

Well, last night Sleepytime Gorilla Museum put on the best show of the three I’ve seen thus far. Maybe it was just that I’m now familiar with all the songs — with very few exceptions they played stuff from In Glorious Times, as they have been doing for the past two years. But despite a surprisingly small crowd (smaller than in 2005, when they didn’t start until nearly midnight, and much smaller than three months ago, when they barely made it to DC thanks to a nasty ice storm), they were really on, both musically and theatrically.

They opened with “The Companions,” which they’ve been doing since I first saw them in 2005. Actually, technically they opened with a gimmick, parading slowly from the back of the club while playing some kind of brassy fanfare, walking straight into the middle of the crowd, finishing the fanfare, and then taking the stage. It was a highly amusing stunt and set the tone for the rest of the night. It’s amazing how these guys can be so creepy one moment and then completely and genuinely funny the next. After “The Companions” — which I found much more enjoyable after hearing it on the album, and I picked out some subtleties I’d never noticed before, like Carla Kihlstedt’s ghostly wordless backing vocals — they brought down the house with “The Widening Eye,” just as they did last time. I described this song last time (which was the first time I ever heard it) as a more metallic take on “Larks’ Tongues in Aspic, Part 2″ — it’s easily my favorite song on the album, and it’s a real crowd-pleaser live.

After playing most of the songs on In Glorious Times, the band surprised me by playing some stuff from Of Natural History — previously I’d only heard them do “Phthisis,” but this time they played “The Freedom Club,” “Hymn to the Morning Star” (Nils’ voice in this song is just astonishing) and “The Donkey-Headed Adversary of Humanity.” All of these songs killed and this reminded me that, as much as I dig the new album, Of Natural History is still easily my favorite of theirs. They did an encore of their new, tripped-out version of “Sleep Is Wrong,” which despite its funkiness I actually don’t like nearly as much as the original version, which is much more lean, mean and heavy.

Theatrically, the whole band was funnier and more animated than I’ve seen them, which is definitely saying something. This is even though the crowd was probably half as big as their last show at the Black Cat, which must have been disappointing.

Openers Stinking Lizaveta I found mildly disappointing; I’ve heard great things about them but aside from a couple songs I thought were great, they mostly played songs consisting of odd-time riff after odd-time riff, and I ended up finding them rather tiresome. Great musicians to be sure, but I just wasn’t a huge fan of the compositions.