Posts Tagged ‘The Thing’
Thursday, November 19th, 2009
Hey, ok, this was supposed to be done last December, but instead I was busy pulling together a best of 2008 list for the Washington City Paper. But that just means more perspective, right? So no worries. Anyway, as of now, here is my top 10 list of 2007. Next month, I promise, I’ll have my real best of 2008 list posted, on time (a year late as normal, instead of two).
- Do Make Say Think - You, You’re a History in Rust
In which the venerable post-rock band explores glorious noise, rough vocals, and moments of pure beauty amidst chaos. DMST have never stopped evolving and this is easily their best album yet. It’s also to their lasting credit that they are pretty much the only post-rock band that might actually be considered somewhat unpredictable.
- Aranis - II
Largely acoustic, upbeat, highly melodic, sometimes insanely intricate chamber-rock. No drums or percussion, yet this is some of the most head-noddingly rhythmic stuff imaginable. Composer/bassist Joris Vanvinckenroye is a pretty phenomenal talent, and this one is his finest hour so far.
- Zs - Arms
As far as room-clearing records go, parts of this one rank just below Orthrelm’s OV. This may well be the last of Zs’ overtly progged-out records, given their recent lineup change and a shift towards more minimal, less accessible material. So, Arms is likely to remain my favorite studio album by this band, ever.
- Dälek - Abandoned Language
After the brutal, no-holds-barred noise of Absence, this seemed like a letdown at first. In this case, first impressions are deceptive: the relative calm of this album masks a seething anger and hidden intensity that makes Abandoned Language my favorite album by this cutting-edge hip-hop ensemble.
- Om - Pilgrimage
Not too much metal left in this stoner-metal outfit; instead, it’s a spiritual journey with Pink Floyd’s “Set the Controls For the Heart of the Sun” as a guide. Powerful, intense, and moving, this one is short and sweet and leaves me wanting more every time I listen to it.
- Despised Icon - The Ills of Modern Man
Perhaps the pinnacle of the entire deathcore genre, this album is really just awesome death metal with some breakdowns (and pig squeals) thrown in for the moshers. Catchy hooks and killer rhythmic breaks abound, and the dual growling vocalists grab your attention and never let go. Even if you hate deathcore, you might like this record.
- St. Vincent - Marry Me
Understated and weird, this album from a former guitarist for Sufjan Stevens and The Polyphonic Spree took me completely by surprise with a unique, offbeat charm. Annie Clark’s guitar work is wonderful when she lets it rip, but it’s her voice and her bizarre compositional sense that carry this album. It’s indie-rock with a hint of the avant-garde, and it’s one of the more memorable debuts in recent memory.
- Sleepytime Gorilla Museum - In Glorious Times
So, this is a pretty solidly great album from this uniquely theatrical avant-rock band. Somehow, though, it hasn’t been nearly as memorable for me as either of the albums that preceded it. All of SGM’s albums are basically essential for any fan of heavy experimental rock, this one’s just a tiny step lower than the other two.
- Nadja - Touched
I cannot describe this better than a frequent poster on the 5/8 forums: “Listening to Nadja is like swimming in a sea of declawed kittens.” Yes. So much fuzzed out bliss. Especially on this album, which is far and away my favorite of this prolific drone/doom-metal band’s many releases.
- Thing with Ken Vandermark, The - Immediate Sound
This one falls perfectly into that niche of avant-jazz that I like: it’s “out,” with plenty of wild collective improv and unpredictable solos, but it’s also recognizably jazz, anchored in rock-solid grooves and accessible melodies. Also, it rocks. You wouldn’t really expect anything less from this lineup.
As always, this was hard, and lots of great things missed the cut. One of particular note is Epica’s The Divine Conspiracy. I listened to this a ton but couldn’t quite bring myself to put it on the above list. I’m sure I’ll catch some heat for liking this stuff - it’s like warmed-over prog-metal with a combination of death-metal vocals and beautiful female clean vocals. But damn can these guys write a catchy song. I don’t understand why they don’t get more love in the prog world; there’s tons of bombastic keyboards, epic lyrical themes, and general cheesiness, plus a fantastic lead vocalist and really long songs. What’s not to love, prog fans?
More things I liked from 2007:
- Æthenor - Deep In Ocean Sunk the Lamp of Light
- Alamaailman Vasarat - Maahan
- Alcest - Souvenirs D’un Autre Monde
- Baroness - The Red Album
- Between the Buried and Me - Colors
- Car Bomb - Centralia
- Caspian - The Four Trees
- Cato Salsa Experience & The Thing with Joe McPhee - Two Bands and a Legend
- Cephalic Carnage - Xenosapien
- Cline/Parkins/Rainey - Downpour
- The Dillinger Escape Plan - Ire Works
- Feist - The Reminder
- Grayceon - Grayceon
- Carla Kihlstedt & Satoko Fujii - Minamo
- Eric Malmberg - Verklighet & Beat
- Miasma & the Carousel of Headless Horses - Manfauna
- The National - Boxer
- Neurosis - Given to the Rising
- Original Silence - The First Original Silence
- Pig Destroyer - Phantom Limb
- Scorch Trio - Live in Finland
- Soft Mountain - Soft Mountain
- Tin Hat - The Sad Machinery of Spring
- Yakuza - Transmutations
If I think to do it, perhaps a couple “favorite shows” posts will be forthcoming as well (one for 2008, since I forgot to do one last year, and one for 2009). But the top 10 albums of 2008 post is definitely coming soon.
Monday, June 18th, 2007
If you’ve actually been following the last.fm widget up there at the top of the blog, you might know some of this, but in any case here is what has been occupying my ears for the past couple weeks.
- Anekdoten - A Time of Day — Well, it’s better than Gravity, but that’s not exactly high praise. Jury’s still out on this one for me; I could see it being a grower.
- Cato Salsa Experience & The Thing with Joe McPhee - Two Bands and a Legend — This was on my previous list of this sort, from back in April, and it’s still in heavy rotation. I’ll be reviewing it soon.
- Do Make Say Think - You, You’re a History in Rust — This one is also a long-lasting pleasure, and will likely end up being one of my favorites of the year. This is post-rock at its most beautiful, yet sacrificing nothing in depth (unlike, say, some of the material by Explosions in the Sky).
- Dungen - Tio Bitar — My first impressions so far are just that; nothing has really stood out to me. For some reason I get less and less excited about this band as time passes, and I was hoping this album would change that. Hasn’t happened yet.
- Grails - Burning Off Impurities — This is a really hard band to pigeonhole; they’re somewhere between post-rock and prog and metal and ambient and world music, or something. Previous albums have not really excited me, but this one has some really great moments.
- Isis - Live.04 — Isis’ latest limited-edition live CD is a mixed bag of cuts mostly from Celestial and Oceanic. Oddly, I like the earlier stuff the best; the band’s raw power really comes through in the live context.
- King Crimson - Live in Heidelburg 1974 — Highlight of this one is pretty clearly the funky “Heidelburg II” improv, in which Bruford comes through with some of the most agile playing I’ve heard him pull off in a KC improv, and Wetton just levels everything in his path.
- Joanna Newsom - Joanna Newsom and the Ys Street Band EP — I’m not really that thrilled by the re-recorded versions of “Clam, Crab, Cockle, Cowrie” and “Cosmia,” but the new song “Colleen” is up there with anything else Newsom has yet recorded. I cannot wait for her next release, and I’m even more excited for her next tour.
- Nightwish - End of an Era — There are so many things I don’t really like about this band — the silly bombast, the terrible male vocals, the lyrics — but somehow in the end I’m always won over by their sheer energy and the obvious joy they get from playing their music. This DVD is addictive, and although there are several throwaway pieces, it’s great fun.
- Pelican - City of Echoes — Not sure what I think about this one yet; I think I like it better than The Fire In Our Throats Will Beckon the Thaw, but I could be wrong. It definitely seems more dynamic, although the Pitchfork review is dead-on in picking out the drummer as a factor holding the band back from greater heights.
- Sleepytime Gorilla Museum - In Glorious Times — Well, duh. This has been dominating my speakers for weeks now. My review basically says all I need to say about it: it’s awesome.
- The Thing - Live at Blå — Basically two half-hour pieces consisting of “covers” of barely recognizable songs strung together by free improv sections. Definitely not the most accessible place to start with this band, and I find myself thinking it definitely has some dead spots that could have used cutting, but it’s an accurate picture of what they do when they play live.
- Wilco - Sky Blue Sky — Now this is a huge disappointment. Nels Cline and Glenn Kotche are two premier innovators on their respective instruments (and the rest of the band are hardly slouches), but instead of a worthy followup to the skewed indie-pop of Yankee Hotel Foxtrot and A Ghost is Born, we get a middle-of-the-road, mostly boring, totally straightforward album of pop-rock that’s to the band’s earlier output as David Gilmour’s On An Island is to Pink Floyd’s Wish You Were Here. Some reviewers have been saying “but it’s so well-crafted!” but I disagree with that, too — some of Tweedy’s vocal lines and melodies here are nothing short of cringeworthy.
Wednesday, April 25th, 2007
The past two months have seen an unprecedented amount of new music cross my path. Here’s what I’ve been listening to lately…
- Aethenor - Deep In Ocean Sunk the Lamp of Light — Dark ambient stuff by members of Sunn O))) and Guapo (now there’s an inspired combination!). Not surprisingly, this is very creepy stuff, utterly devoid of the structures of the two aforementioned bands.
- Alamaailman Vasarat - Maahan — Their fourth album harkens back to their earlier material, namely the stuff before the collaboration with Tuomari Nurmio. For most fans, this is a good thing.
- Michaël Attias - Credo — Very tuneful avant-jazz on Clean Feed. I am starting to really get in to this label, thanks to the prolific amount of material they have on eMusic.
- Cato Salsa Experience and The Thing with Joe McPhee - Two Bands and a Legend — A free jazz group collaborates with a garage-rock band, and the result is nothing short of awesome. Seriously.
- Cowboy Junkies - At the End of Paths Taken — Their umpteenth album is, well, kind of boring, despite a new emphasis on electric instruments and some aggressive instrumental passages.
- Kevin Drumm - Sheer Hellish Miasma — I’m not a huge noise-rock fan, but this stuff is just brutal. Maybe the most balls-to-the-wall intense electronic music I’ve ever heard, this sure is one aptly titled album.
- Earthless - Rhythms From a Cosmic Sky — Pretty great heavy space/psych-rock, the kind of thing that readers of the Aural Innovations site will go bananas for.
- The Electrics - Live at Glenn Miller Café — A nice cross between structured avant-jazz and purely sound-based free improv.
- Lane/Vandermark/Broo/Nilssen-Love - 4 Corners — I am getting seriously addicted to both Vandermark and Nilssen-Love these days, and this is one of the more immediately accessible collaborations of theirs that I’ve heard lately.
- Loreena McKennitt - Nights at the Alhambra — Wonderful DVD/2CD set for fans of this Celtic/world musician. The CDs are probably redundant for those who own Live in Paris and Toronto, but the DVD is essential.
- Nadja - Touched — Sludgy doom-metal that, in my opinion, puts Sunn O))) to shame. Maybe it’s just that this stuff is much more accessible and, dare I say it, almost tuneful.
- (((Powerhouse Sound))) - Oslo/Chicago: Breaks — More Ken Vandermark; this band seems to be trying to go for the Spaceways Inc. avant-jazz/funk crown, but with more noise and more electronics. I dig it.
- Runaway Totem - Esameron — Everyone’s favorite second-tier zeuhl band releases their new, well, second-tier zeuhl album. To be honest I find this stuff pretty damn annoying, although fans of their other material (or Amygdala’s album) might like it.
- David Torn - Prezens — Tim Berne fans relax, this is definitely not the new Hard Cell album despite the lineup. More than anything else, this is like Cloud About Mercury, re-envisioned and updated for the 21st century.
Friday, April 20th, 2007
Last night I made my first trip up to Sangha (don’t bother with their website, it’s pretty dysfunctional) in Takoma Park, Maryland, to see The Thing. It’s kind of amazing that somehow I’ve never been to Sangha before, as they regularly host Transparent Productions and other off-the-beaten-path shows there. The Thing offered up a good first show! Consisting of drummer Paal Nilssen-Love, bassist Ingebrigt Håker Flaten, and saxophonist Mats Gustafsson, this is an avant/free-jazz trio with a penchant for covering pop/rock songs — in the set they played, they “covered” pieces by Lightning Bolt and the Yeah Yeah Yeahs; their recorded output includes covers of PJ Harvey and The Strokes songs.
In this particular show, the covers were fairly opaque to me — it seemed like they were pretty much just improvising the whole time, playing loose and free until all of a sudden they were playing some ridiculous unison lines or coming to a full stop altogether, seemingly without any visual or auditory cues that I could discern. It was pretty amazing. I saw Nilssen-Love and Håker Flaten with Atomic a few months ago, and they were equally jaw-dropping this time around; Nilssen-Love was on fire the whole time, hands all over the kit (he did play some more straightforward lines once or twice, and that was fun to see), while Håker Flaten’s thinking on his feet was really fun to watch, and he was absolutely fierce, punishing his instrument as much as he played it. I’ve been scared off by Gustafsson on record a couple times, but he was reasonably accessible here, and is one of the most physical players I’ve ever seen — at times dancing with his instrument, at other times fighting it, at all times moving his entire body with the flow of his music.
But it was collectively that these three guys were most impressive; I mentioned in my comments on Atomic’s show that it was fun watching their visual cues, but as I already said, I couldn’t discern any cues whatsoever with these guys. This kind of telepathy is neat when it’s with a group playing carefully composed pieces (say, Ahleuchatistas), but it’s even more impressive when it comes in the context of wild collective improvisation. The ease with which this trio went from dissonant improv with free-flowing rhythms to garage-rock anthems with pounding 4/4 drums, and then back again, was pretty great.
While I still prefer the more structured work of avant-jazz groups like Atomic, The Vandermark 5, or various Tim Berne groups, these last two shows I’ve seen (this one and Brötzmann/Pliakas/Wertmüller last week) have definitely been helping to build my ever-growing interest in the freer stuff.