Posts Tagged ‘Uzva’

What’s spinning, January 9 edition

Tuesday, January 9th, 2007

Seems like I’m working on a bunch of new music right now; my listening is spread thin and on all this stuff I just have some quick first impressions:

  • Aghora - Formless: I liked their self-titled debut, and this one seems like more of the same, maybe a little more polished. All the songs kind of fly by in a haze, but hopefully they’ll become more distinctive with closer listening.
  • Bassdrumbone - The Line Up: These guys are coming to Baltimore next month, so I downloaded their latest album from eMusic. I think I’m going to really like this one. Avant-jazz that really swings.
  • Blops - Blops (3CD box set): Folksy Chilean group from the early 70s; their folk stuff is solid but it’s the third album that really makes an impression, when they started doing a kind of jazzy psych-rock fusion.
  • Cardboard Amanda - Cardboard Amanda: I’m having a hard time getting around the vocals, which I currently find intensely annoying. Need to work on this one.
  • Elliott Brood - Ambassador: More “death country”; I like pretty much everything I’ve heard from this little subgenre and this is no exception.
  • Loreena McKennitt - An Ancient Muse: It’s been nearly a decade since her last studio album, but believe it or not, this one sounds almost exactly like the last three. Which is not necessarily a bad thing.
  • Steve Swell’s Nation of We - Live at the Bowery Poetry Club: I love Swell’s work as a sideman (with Tim Berne’s Caos Totale band, on El-P’s High Water, etc), but have never heard him as a leader. This big-band effort seems like a pretty good start; one of Ayler Records‘ download-only releases.
  • Uzva - Uoma: None of this band’s albums ever really grab me at first listen. I like this one well enough, especially “Arabian Ran-Ta,” but it’s yet to completely suck me in.
  • Jack Wright & Bob Marsh - Birds in the Hand: Got this free-improv album a while ago as a promo, but never actually noticed it til now. I saw Wright live last year in one of the most head-spinningly avant-garde shows I’ve ever seen. This CD is a little more accessible; mostly quiet, contemplative improvs involving sax, cello and voice.
  • Yügen - Labirinto d’Acqua: Twitchy avant-prog that lots of RIO types are really loving. It takes me a while to get my head around this kind of thing. I’m pretty sure that when all is said and done, I’ll like this one, but not love it.

I’m going to see Sigur Rós!

Saturday, April 28th, 2001

Sigur Rós was scheduled to play at the Angel Orensanz Theater in NYC on May 8th; tickets went on sale a couple weeks ago. As some of you have probably heard, the damn show sold out in three minutes or so! So, the management (I believe) wisely chose to move the show to Irving Plaza, apparently a much larger venue, and more tickets went on sale this past Wednesday, at noon. Just to be sure, I took the train to the city and bought my ticket directly from the box office. I’m stoked - I’ve heard all kinds of rave reviews about these guys live.

I really like how Uzva, in the final track of Tammikuinen Tammela, use the steel pan as a melodic instrument. That album has been dominating my CD player recently, along with the A Silver Mt. Zion album (”13 angels standing guard ’round the side of your bed” is one of the most gorgeous pieces I’ve ever heard).