Deprecated: Assigning the return value of new by reference is deprecated in /webroot/b/r/brandonw/progreviews.com/www/blog/wp-settings.php on line 520
Deprecated: Assigning the return value of new by reference is deprecated in /webroot/b/r/brandonw/progreviews.com/www/blog/wp-settings.php on line 535
Deprecated: Assigning the return value of new by reference is deprecated in /webroot/b/r/brandonw/progreviews.com/www/blog/wp-settings.php on line 542
Deprecated: Assigning the return value of new by reference is deprecated in /webroot/b/r/brandonw/progreviews.com/www/blog/wp-settings.php on line 578
Deprecated: Function set_magic_quotes_runtime() is deprecated in /webroot/b/r/brandonw/progreviews.com/www/blog/wp-settings.php on line 18
The above is a clip from a DVD I grabbed from Dimeadozen a couple days ago, filmed at Zu’s release show for their new album Carboniferous. It’s representative of the quality of the DVD - excellent audience recording, steady camera, pretty good sound. About an hour long, which, like any of Zu’s actual albums, teeters right on the edge of being too exhausting to get through in one sitting. This band is a rhythm-and-noise monster, with few melodies to divert attention from the pummeling beats and the unfathomable sounds that Luca Mai (bari sax) and Massimo Pupillo (bass) manage to squeeze out of their instruments.
Maybe it’s just the camera angle, but Mai in particular is a looming beast, shrieking, squawking and skronking his way through the Carboniferous songs in a way that’s just mesmerizing. I love how he beats on his sax when he’s not playing - the sound on this recording isn’t quite good enough for me to tell if it’s actually to add another percussive layer to the sound, or if he’s just in a performative trance, tapping out the rhythm absent-mindedly as he waits his turn to tear shit up.
It’s past time for my latest best-of-year list. I’ve been procrastinating a bit, see, because 2004 was such an amazingly brilliant year for new music that I would have a hard time making a top-20 list, much less my customary top 10. Nevertheless, here’s my best shot. For the newer readers, note that this is a best of 2004, not 2005 — the extra year allows for a bit more perspective as well as a chance to catch up on releases that passed me by originally.
Isis - Panopticon
I think I might be biased in favor of this one since it was my first real encounter with this kind of post-rock/metal hybrid. Nevertheless, Panopticon is epic, sweeping, majestic, and absolutely gorgeous: all while being balls-to-the-wall heavy. That’s quite an accomplishment in my book.
Magma - K.A
When I first heard this, I couldn’t believe how good it was. Now, after having heard some live recordings of Magma from the past few years, I have no trouble believing it. These guys still have it — incredibly, after 35 years they really are still at the top of their game. An instant zeuhl classic, made even better by the fact that it boasts easily the best production and sound quality of any Magma album ever.
Sleepytime Gorilla Museum - Of Natural History
One of the most promising new bands out there, and if their live shows are any indication, even an album as coherent and powerful as this one doesn’t come close to fulfilling that promise. No sophomore slump here — Of Natural History, especially its first half, pretty much blows me away — but I’d wager that the best is yet to come from these guys.
Electric Masada - 50th Birthday Celebration Volume 4
This is the record that spurred my tentative exploration of John Zorn-related projects into a frenzy. Dense and intense fusion in the best sense of the term; like Bitches Brew-era Miles that rocks harder and sounds, well, a lot more Jewish. My review hypes it up a bit more than is necessary, but this is still a sterling release and a must for fusion fans.
Zu & Spaceways Inc. - Radiale
Combine the brutal intensity of Italian free-jazzers Zu and the funky inclinations of Ken Vandermark’s Spaceways Inc., and the result is… one of the best albums of 2004. The first half features some wickedly heavy fuzz bass that would do any upstart zeuhl band proud; the second half opens things up a bit and has some killer covers of Funkadelic and Sun Ra. I prefer the less claustrophic and funkier latter half, but both are fantastic in their own right.
Guapo - Five Suns
I’m a bit off on my review of this one, harping a bit too much on Guapo’s overt Magma influences. True, those influences are there, but man do they know how to use those influences to make something pretty stellar. The 45-minute titular suite is a hard-driving, nonstop instrumental beat-down that’s hurt only by the fact that it’s front-loaded, opening with its best and most creative 5 minutes.
Kruzenshtern & Parohod - Songs
Where the hell did these guys come from? Wild punk-jazz klezmer, with an upbeat melodic sense tempered with a healthy penchant for all-out noise. And vocals that you’ll find either annoying as hell or unbelievably hilarious (I love ‘em). Definitely the most unique item on this list; I hope there will be a follow-up coming soon.
Tanakh - Dieu Deuil
Smoky indie-rock featuring some of the most haunting, beautiful melodies of the year. Jesse Poe’s lyrics and rich vocals combine with many interesting, slow-paced instrumental interludes to make one of the more distinctive indie-rock efforts I’ve heard recently. One of those records that transports you into a different world while you’re listening.
Thinking Plague - Upon Both Your Houses
This live recording from NEARfest 2000 is essential for fans of this contemporary American RIO band, mostly for its hard-edged, focused takes on tracks like “Warheads” and “Kingdom Come.” This is a rare, valuable document of a top band in top form, and one that rarely performs live.
Mastodon - Leviathan
I really think I prefer the thrashier, dirtier Remission, but for some reason I keep coming back to this one. If “progressive metal” didn’t mean “symphonic prog with cheesily heavy guitars and even cheesier squealing vocalists,” Mastodon would be the ultimate progressive metal band. Instead, they’re just a kick-ass metal band with lots of proggy tendencies, and nowhere are those tendencies more evident than on this album.
The list could go on, but I think I’ve made my point. And the really shocking thing? The really shocking thing is that 2005 hasn’t been a disappointment after the awesomeness of 2004. Probably not quite as strong overall, but there’s been some amazing music released this year as well. Over at Pitchfork, in his review of Koenjihyakkei’s new Angherr Shisspa, ex-Ground and Sky reviewer Dominique Leone makes the bold claim that “In 2005, rock-based progressive music is bubbling below the surface with almost as much vigor as it did in the late 60s, just before it hit the pop charts in the early 70s during the heyday of Yes and ELP.” Based on the above list and my projected list for 2005, I’d have to agree. It’s a good time to be a fan of progressive music (with a lowercase, not a capital, P).