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Sally Oldfield
Water Bearer

Bronze (610164-217)
UK 1978

Sally Oldfield, vocals, guitars, piano, synthesizers, harpischord, pipe organ, mandolin, marimba, Ggockenspiel, vibes, tubaphone, percussion; with Frank Ricotti, percussion, vibes, marimba; Dave Lawson, string synthesizer; Trevor Spencer, syn drums; Tim Wheater, cymbals; Jean Price, harp; Brian Burrows, vocal

Tracklist:
1.  Water Bearer — 6:25
2.  Night Theme — 2:52
3.  Wampum Song — 3:06
4.  Nenya — 4:59
5.  Land of the Sun — 1:52
6.  Mirrors — 3:17
7.  Weaver — 3:38
8.  Night of the Hunter's Moon — 3:26
9.  Child of Allah — 3:19
10.  Song of the Bow — 3:37
11.  Fire and Honey — 2:30
12.  Song of the Healer — 3:19

total time 42:37

Links:
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Alongside of Renaissance vocalist Annie Haslam, Sally Oldfield is the other major British female vocalist to arise out of the 70s prog rock scene, albeit towards the later part of the decade. This solo debut was the one that most contributed to her recognition as quite a talented young woman, all the more admirable in a genre dominated by male acts.

Sally is similar to her younger brother Mike in a number of respects. First of all, she proves herself a Jill-of-all-trades, playing a good 95% of what you hear on this release. Additionally, her writing style also displays the angular riffing, intricate time signatures, and subtle thematic transformations for which Mike is well known. But ultimately, it's the material itself on Water Bearer that makes it an outstanding effort. The entire first side is a classic slice of folk-prog at its best. With Sally's sweet harmonies, all of the songs here contain their share of moments that embody what I love about this genre at its most open and ultra-romantic. One of my happiest recent memories is listening to "Night Song" alone one clear night at a beach in Cape Cod, and it was just one of those moments you never forget, where music and environment coalesce perfectly. The second side, while not as consistent, still features some strong material such as "Weaver" and "Child of Allah."

There are only two shortcomings on Water Bearer. One is the Tolkien references, saved somewhat by Sally's sincere delivery, the fact that this was still the 70s, and the novelty that for once it's a lady singing it rather than a Ronnie James Dio figure. The other is the wholly unnecessary but luckily brief vocal contributions of tenor Brian Burrows. But these are trifling complaints. This is considered by most everyone to be Sally's best work, and really it's a touchstone recording — the veritable blueprint of folk/pop/new age styling from which many female artists have borrowed from extensively since, if not outright stolen. Sally's influence should receive greater acknowledgement.

review by Joe McGlinchey — undated —

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